John only stated his opinion which is what a good discussion should bring. And in a way, his statement brought about reaction from Miroslav which elicited responses that have kept this thread moving here and there.
It's been good fun.
OK....then let's keep the fun going!
I get John's point of view when it's specific, not global --- classical music recording prefers gear transparency/neutrality, and there is no desire for tape "color/saturation/etc"....not to mention the need to record long pieces that go well beyond the 30 minutes you might get out of a tape reel, and/or have to splice between two decks...etc.
I get Jay's point of view --- low budget clients have no real desire for the added cost of tape.
I get gecko's point of view --- limited budget client recording has a need for efficiency and simplicity.
What I don't get are the more extreme/direct objections from people: 1.) who have never recorded to any tape.... or 2.) who have at best, used some porta-studio tape rig 20 years ago and are basing their entire tape experience on that... or 3.) who still like to use a lot of analog gear (with all it's imperfections), but have some non-specific issue with tape.
Let's go back to Grim's OP, and his scenario -
"...analog recorders if they were freely available?"....
...though now I'm not sure if Grim just means "plentiful, readily available".... or "free".
If we assume for a moment that he means "free", and we take the up-front cost of a serious 2" 24-track tape deck out of the equation...for those of you who fall into 1.), 2.) and 3.)...what exactly are your objections then to tape recording...?
"Too complicated to use"...."no place to put a 2" deck in my bedroom"...."don't want buy the expensive reels of tape"..."I'm not good with electronic test/maintenance gear"....what is it?
Let's make it even more "FREE"...you get the 2" deck, tons of free reels, and a free tech to do the calibration and maintenance.....so what is it about tape that is "bad"....?
Like I said earlier....without the majority of folks qualifying their perspectives and their existing hands-on experience with tape recording (or lack of), there's little to be gleaned from their pro/con answers.
Some have given specifics, and those answers provide room for discussion....others just do the yes/no thing with vague alluding to why.
Also....since we've gotten very specific talking about *recorders* and not analog recording as a whole.....you do have the ability to *record* to tape at mixdown too. People still do that using a DAW up front, then OTB and record to a 2-track.
Is that part of this "tape recorder* discussion or just the front-end multi-track stage?
One more
reason why I was looking at the whole "analog recording" process rather than just one piece of equipment.