Why Artist Development Makes A Difference

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Yippee

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Many artists put in their mission statement, simply that they want a record deal, thinking that is all they need to succeed for career in music. Most don’t have a clue what it takes to get that deal, let alone maintain that career.

Artist development is a huge area overlooked by far too many young artists. What is “artist development”?

Gone are the days when a record label “discovered” fresh new faces, supported them, cultivated their creativeness, built up their fan base, and guided their direction with the intent of turning them into superstars as they once did. All of this of course, was with the intent of selling those 45’s, LPs, cassette’s and CDs. Gradually, many labels moved more into product development, which meant they are focused more on the immediacy of sales of the latest CD (product) released, and not bringing the artist up to that point.

In this Internet age, it is more the artist or band themselves that must build the quality sound that is ready as a commercially viable product. On top of that, they need to have an already established fan base, basic music business skills, perhaps even the early music sales of a well produced CD. Labels are looking for pre-packaged, very talented musicians that are already showing their value.

A music career is a charted path to follow. Artist development involves all the issues surrounding and arising from that charted path, and crosses into knowledge of product development.

Checklist on what artist and product development necessitate:

  • Exceptional vocals, musicianship and/or songwriting skills
  • Continued education and enhancement of musical skills
  • Quality equipment
  • Performance ability
  • Image creation and maintenance
  • Plan of action, goal setting
  • Exceptional promotion materials, including photographs, press releases and artwork
  • Business management skills
  • Marketing, publicity, and promotion knowledge, online and offline
  • Professional management
  • Basic knowledge of recording, producing, engineering, and mastering
  • Basic knowledge of manufacturing, distribution, and sales online, brick and mortar and air-play
  • Good choices in members, staff and advisors
  • Physical and mental preparedness
  • Basic knowledge of finances, accounting
  • Law and legal issues: publishing, copyrighting, trademarks, and an attorney
  • Alternative career options – even athletes need to have other options!

Tending to all areas of your music career may make the difference between a one hit wonder and longevity in this business. It’s been said, “If you think this is a piece of cake, you better go bake one.” The music business, again, is a business. Businesses need to make money. Take the time to find out all you can about each of these steps in your journey.

That being said, an up and coming artist must begin somewhere…and if a career in the music business is the goal, then any naiveté must be addressed immediately!
 
JoeBannon said:
If you can support yourself, then it's a career.

Quite true, JoeBannon. When the time comes, the musician or singer may discover that the "I want a record deal" route, may not be what is best for him or her at all. DIY, knowledge, does tend to give one more leverage.
 
Yippee said:
Quite true, JoeBannon. When the time comes, the musician or singer may discover that the "I want a record deal" route, may not be what is best for him or her at all. DIY, knowledge, does tend to give one more leverage.


There are very few artists/bands that get signed without first getting leverage. That's the reason the label wants them.
 
Great post. Looks like some one else has been doin thier homework too! I am new to this board but i gota tell you im very impressed with the knoledgebase that post here.

Rich
 
JoeBannon said:
There are very few artists/bands that get signed without first getting leverage. That's the reason the label wants them.

There are also artists/bands who don't want to be signed. They're happier with the creativity and freedom they have as independent artists/bands. They may not get as much promotion as they would on a major label, but word of mouth can be a powerful tool. I think Metallica started out that way. Indie artists/bands may have the leverage to sign a major deal, they just may not want to.
 
mjr said:
There are also artists/bands who don't want to be signed.

But that's not what we're talking about. His post is about those that do.
 
JoeBannon said:
But that's not what we're talking about. His post is about those that do.

That's very true.

But won't some labels look at a band that's worked hard on developing their image and their music and tell them, "We like you, but we want you to change your image..."

With some people, it works. It worked for Alanis Morrissette. Her image was changed, "Jagged Little Pill" came out, and, well, you know the rest.
 
Here is a question: Is anyone in here currently working with artist(s) to develop them? If so, is it coming smoothly or ruffly? What are some things u've done to help develop them in one way or another . . .
 
gullyjewelz said:
Here is a question: Is anyone in here currently working with artist(s) to develop them? If so, is it coming smoothly or ruffly? What are some things u've done to help develop them in one way or another . . .

I can't answer your question...but I have one for you. How's your CD doing? You're a pretty talented dude! Rap really isn't my genre, as you know, but I think you're pretty talented.

I haven't really had time to work on my CD lately.
 
mjr said:
That's very true. But won't some labels look at a band that's worked hard on developing their image and their music and tell them, "We like you, but we want you to change your image..."

If the band wants to join that label, then they would have to. I really don't see what that has to do with this topic.


mjr said:
With some people, it works. It worked for Alanis Morrissette. Her image was changed, "Jagged Little Pill" came out, and, well, you know the rest.

I wouldn't know.
 
Alanis Morrissette changed her own image before she got signed. It was leaving the label tha allowed her to form her own style.

On the other hand, Labels love independants because it saves them a whole lot of work and money. Let's face it, there are millions of bands out ther trying to "make it". What's good about the industry the way it is now is that more bands are given the freedom to create their own style. What's sad about it is, many of those same bands feel that they have to court A and R people with something they are familiar with. Pros and cons on both sides.
 
Someone is working with me.
He's pushing me in the right directions.
Telling me what works on stage, and what doesn't.
He taught me simple things... like gain fans 1 at a time, and bow after each performance... Send thank you cards to every place that books me. 4 ascending quality CD's is better than one giagantic production... do my vocal excercises every day.

He's objective enough to tell me the truth without hurting my feelings... Lose weight. The chances a fat guy gets are less numerable than a sexy young guy..

Simple common sense, but I need someone to beat it into my head.

Check out his book.. The Art of the Solo Performer, it covers alot of things I had questions about.

- Luke.
 
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