which practice pad closest to real drum?

captainkey

New member
Looking for a way to get as close as possible to the action and feel of a real snare without the noise for silent or close to silent pratice....

some options:

rubber pads from electronic set
(already use these, not great for simulating real drum feel)

mesh electronic pad from Roland, Hart, or Pintech

HQ (?) real feel pads

Soundoff pads placed on top of acoustic drum (made for entire set including cymbals)

moon gel pad

remo tunable practice pad (noisy)

mesh head to replace acoustic head on real drum (heard though that mesh heads mess up your bearing edges on your snare)

any thoughts?
 
The time honored standard is the Remo. The the thing besides the feel of the hit, is the sense of dynamics, which is really important too. For example if you are trying to get your paradidle to sound nice and even without accents, it's pretty hard to guage on a chunk of rubber. The Remos, which you stated are noisy (I've practiced with one in a room next to a sleeping person, I'm not sure how silent you are looking for), are just *noisy enough* to hear if your hits are consistant.

I don't know much about mesh heads, haven't played them much. That said, I am confident that no electronic drum has the same sensitivity as an acoustic drum, so even though the newer Rolands, Pintechs, etc, do have some dynamics to them (esp compared to the old rubber Yamahas, and Rolands- which I think suck), and even can call different samples when you strike them at different velocities, they will never give you the "touch" you can get with an acoustic drum, which especially important on your snare work.

My $.02
 
I went to a clinic with Rod Morganstien once, and he we playing a pretty big kit. What I took away from it was his practice technique based on the idea that there are sort of two things you are concerned with, I'll try to sum them up, as I remember/see it:

1- "Using the sticks to hit a single instrument", be that cymbals, drums, cowbell, whatever. For that you can practice on your remo pad (which still isn't the same as a metal instrument, but works the same muscles/techniques). You can also always tap toes or work calves out in whatever position, with or without resistance.

2- "Getting around the kit to hit the different instruments". For this he sat on the floor, legs crossed, and invisioned his kit, or even one with 10 toms, 20 cymbals, or whatever monster kit you want to visualize. The idea here is that the practice/warmup, is all about doing what you do to reach out, twist, and use technique 1 in different playing positions. This is also cool if you travel, and it's not cool to set your kit up in a hotel room! This works pretty well, and if you are on commercial carpet like the stuff in my basement, you can even do doublestrokes/ruffs, and work #1 at the same time.

So the summary of my babbling here is that #2 is about the streching and working of the muscles that facilitate you playing a whole set of drums in different positions, and # 1 is about the technique you use to play each one. Between these two you've got a pretty complete practice "kit" for very cheap.

Don't get me wrong, I would love to have one of those electronic mesh kits if I had the dough, between my basement floor, and beatup old Remo pad, I really don't need one. Plus they'll never replace my acoustic drums, only supplement them.

Besides the Remo practice kits, I've seen guys build some pretty cool little practice kits with a bass pedal and striking surface, a pad or two, and those plastic High-hats. That's not too bad for working your hand-hand, and hand-foot co-ordination in a more realistic setup.

BTW- I don't personally like sound-offs either. They don't feel natural on the cymbals, or really even on the drums. I've seen carpet pad used successfully as cheap sound-off alternatives, and I think it sucked pretty-much equally, but for less money.

/2moreCents
 
I use a Real Feel which approximates a very tightly tuned snare quite well. You can definitely get a sense of dynamics on it as well. The only thing is, it is not that silent. It produces an audible "thunk" which helps with the above mentioned dynamics.

All you can do is try out a variety to see what works for you. There is alot of debate over whether one should use a practice pad that creates rebound, or one that makes you "work" at picking the stick off the pad (Moongel for instance). Good luck in your search...
 
Back
Top