What's the difference between the Neumann U47 and the U87?

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Re: U-47 Valve vs. U-47 FET

Larry Villella said:
The 47 FET is not even close to the 47 tube. Ocean Way uses the 47 FET on Kick. Possibly the best applicaition for this mic . But the Capsule Fatigues and they pony up about $1000 to put a new capsule in every year or two (or so I am told).

Geez... I didn't know 'Ocean Way' was a recording engineer... all this time I thought it was a facility.

There are lots of microphones that can be employed very nicely for both kik drum and vocals. I've used a tube 47 on kik more than a few times... my main drum mics for a couple of years were a pair of 'Church 47's... which are somewhat similar to a Neumann U-47 in that they hold the same capsule and grill assembly geometry.

The 47 Valve is the Male Vocal Mic Extraordinaire! And what it does for Saxophone is nothing short of amazing. Nat King Cole's Mic. Early Frank Sinatra. A lot of Coltrane and Sonny Rollins Sax.

I'll remember that next time I'm recording dead people. For the living, it's often good to not work by myth and religion and try a few different mics on each singer, and for each song on the project.

A singer will sing each song differently, the arrangement will be different, and the qualities of the vocal tones will often have to adapt to the new arrangement to fit into the balance in the best way possible.

The only rule is that there ain't no rules.

Best 'sax' track I ever recorded was with an RCA 77-DX into a Daking mic-pre/EQ unit...

Our TT model was built to try to emulate the 47 Valve sound.

Great. Any particular "47 Valve"? They're all over the map depending on maintenance care and feeding over the decades... then again, it's a very popular form of marketing hooey to say "goll-llly, we're "emulating" a microphone who's model number is mythical... but seeing as you've never heard one, we can probably get away with saying it's an "emulation"... especially as you've (A) probably never heard one; (B) may have heard one, but don't know if it was a "good" one... (C) never heard a 'mediocre' one to be able to suss out exactly what a "good" one might be [or any of about another 40 permutations]

If you put the polar pattern between Cardioid and Figure 8 you can really hear the similarities.

You must be talking about the thing your company pimps... a 47 that does cardioid and figure 8 patterns is called a "U-48"... but you can't put it between those patterns.

It's close, but there's nothing like a Mint 47 (and these are very hard to find!) I'm lucky enough to own one, but I bought it long before the Wall Street Journal had an article about the "collectability" of vintage mics. Elam 251's went up $5000 in a single day because of a naive journalist!!!

Funny... I read that article and didn't see anywhere where the price went up as much a $5k from the actual "street value" of the product.

For every great old 67 and 47, there are a dozen "rebuilt" ones.

Uhhhh, I generally change the oil in my car around every 3000 miles. I generally change the filter caps in my tube mic's power supplies around every 7 or so years. I get the capsules cleaned when they get dirty. Every so often, I change the cable because the old one doesn't work as well as a new one will.

Things get old, things require maintenance. Sometimes "rebuilding" one of the nice old "vintage" mics is just a way to tell the damn thing you love it... value it... and will give it proper medical attention as it gets old.

Kind of like re-built Steinways. If you put Yamaha hammers in them and a new sound-board that is thick as a 2x4, you really don't have a Steinway anymore. (You end up with a Yamadorfer).

Cute.

There are three main elements that comprise the tone of a condenser microphone. The capsule, the amplifier and the grill assembly. If you do the requisite maintenance, they'll serve you well for a lifetime... if you don't do the maintenance, you end up with a classic looking pile of shit.

Seeing as Neumann doesn't have an VF-14 tubes anymore... and a replacement VF-14 tube will run around $1,500... it's often pragmatic to replace the VF-14 tube with an alternative. Sometimes EF-14's are used, sometimes UF-14's are used, sometimes "NuVistors" are employed [which was a common Neumann modification for years!!], and every now and again, you'll find an AC-701/k in a 47 [which BTW are some awesome sounding microphones!!]

There are other replacement valves that will work quite nicely... and I'd mention them... but I would be giving up some state secrets I was asked not to give up...

b[]We did a shoot-out at Westlake Audio with some of our mics and the U-47 that Michael Jackson used on Thriller. The response curve looked like Mount Everest! Really Jagged and with a 12dB peak in the midrange! It was Nothing at all like my stock 47. [/b]

I know I've never recorded a response curve... but as soon as I do, I'll be sure to find the best microphone for recording 'response curves' that I can find.

Who gives a fuck about response curves... how about "did it sound good?" That might be an interesting place to begin an evaluation... whaddaya think?

Vintage buyers beware! The pitfalls of buying a Vintage Mic abound! If you don't have a mic expert examine and audition the mic, it's really better to buy a Lawson in my view! (There are a few others that would also be acceptable substitutes). Hope this helps!!


Yeah... but just like buying a 'used car'... if you have a good mechanic perform an inpection, you'll have a reasonable idea of what to expect... then if you listen to the piece in the context of some of your work, you'll form reasonable expectations.

While I quite like some of the stuff Gene Lawson does... there are a couple others that do the same thing in a different manner, with different results.

It's more about matching the tool for the job at hand than the name to a myth.

As always... YMMV.
 
Vintage '47

Fletcher,

You make some valid points. And I appreciate your insight!

I know you have had a great time lambasting ADK. I am still reminded of our phone call two years ago when you told me how much you liked the sound of our tube mics - that was until you found out we built them in China. Our phone call went "south" . . . in a hurry!

Suddenly the mics didn't sound good anymore!

(I know, I know - you hate Chinese products so much you only
eat Thai food, or at least that's what you told me at the time).



Yet I do think the curves matter! It's not the be-all end-all!
Tonality matters most: Coloration and Application Issues, too.

And Tone is something that I have a bit of experience with,
both with concert pianos (I'm a court approved expert witness in two states) and vintage microphones. You can love or hate ADK - but I promise you would love my microphone cabinet!!!!

It shouldn't surprise you that I Do know the difference between a
47 and a 48, having collected European Tube mics for 32 years.

You totally took my U-47 comments out of context. (No matter).

As for the mic that went up five thousand dollars in a day,
it happens that I was looking at an Elam 251 for $8k the week that article came out , and when I called back, the dealer (in MA) had raised their asking price - by nearly six grand! So did the street price go back to $8000 ? You'd know better than I.

As for your other acerbic commentary: I appreciate your wit!

Really I do !!


If you think the piano analogy is cute, it's really one of my best references. The parallel seems self-evident. Soundboards lose structural integrity. Capsules fatigue. Both these vintage gems are worth restoring! But I have seen Steinways that were rebuilt with non-standard parts, and I have heard vintage U-47 that bore no similarities to the pristine example I was able to acquire.

And yes, there are other folks out there (Claus, Tracy et al) making great mics. I think these folks deserve kudos, too. I like Lawson because it's still within the realm of being somewhat affordable. Certainly there are others who build top-shelf mics.

If you build sonic replicas it matters the source of your inspiration:
I happen to know Gene has a few Choice Telefunkens he used as "models".

I'd be interested to know which is your favorite among those building replicas (clones?). Soundelux? Telefunken USA ?



You may lampoon ADK, but seriously, if it only matters what a mic sounds like, then who cares where it's built? And more to the point, have you listened to any of our mics lately? A lot of fine engineers and musicians have blind-tested our mics and actually not found any MSG aftertaste!!! (No headaches - didn't feel hungry 30 minutes later - none of the usual symtoms ! ! !)

I know it is fashionable to be an Audio Elitist and hate all things affordable and less than Rolls Royce caliber. But Fletcher: not everyone can afford tens of thousands of dollars for a mic closet!

There is a place for Brauner and Lawson. And there is a place for a more humble "sonic replica" builder like ADK (it seems to me).

Check out Manhattan Transfer's 'Got Swing' with the Cincinnati Pops, or Michael W. Smith's lead vocals in the Movie Joshua, or Kathy Mattea's last two CD's. They all used ADK Tube mics. In Kathy's CD there is a Brauner and an ADK - each on about half of the lead vocal tracks. (Selected by virtue of where they wanted her voice to fit in the mix).

You tell me which one was $5000 and which one was a $900.

When I make recordings in my studio, I typically ask the singer to do a few short takes on a variety of mics and then come into the control room and audition the mics. Sometimes they pick an
M-269, other times a U-47, or even a C-12. But often they choose a brand they have never even heard of!

Find the right paintbush without the brand prejudice! Blind testing will do that. ADK has surprised a lot of industry icons. (And our upcoming Made in USA Division might even pass the Fletcher Test - so please - all we can ask is: keep an open mind!)

Ears matter. Knowledge Liberates. Vitriol Obfuscates (at least in my most humble opinion). I have spend a lifetime playing and recording music. It's a passion! I tried to make a few affordable sonic replicas - at first just for a few of my friends! Is it a crime?

The fact that it turned from a hobby into a cottage industry seems to have caused a lot of consternation and controversy.


If you find scathing humor in our efforts, it's certainly your right to do so.

I for one am not offended: I rather thinks it keeps us on our toes!


Sincerely,

Larry J. Villella, ADK Microphones
 
two off topic cents.

I have not heard a bad sounding ADK mic. In fact, most ADK mics I have heard sound very rich and creamy. I generally prefer ADK to rode, Studio Proects or other chinese mics. THe u47 is a special sound though, and I have not heard another mic sound as good as it.
 
Very thoughtful reply Larry. I am glad this post didn't go up in FLAMES! I have to say though, Fletcher brought up some good points. With thats said, your response was great too. Is that true about the Piano witness thing?

Beez
 
Pianos and Microphones

True and well documented. Kind of interesting work when you can get it. Did appraisals on hundreds of pianos over the years.
From time to time in the case of a divorce, you get called in to defend your appraisal.

Record them, appraise them, play them, love them!

Acoustic Guitars and Vintage Microphones round out my hobbies.
(My wife says it's not a hobby, it's an obsession!)

How many guitars can you play at once? How many mics are enough? You are on your eighth grand piano and you are still
looking for the perfect recording instrument? Will it ever end???

Now that my son plays guitar and my daughter plays piano, it certainly has worked out to be a positive thing.

Cheers!

Larry
 
MADE IN U.S.A.

Stealth Pro Audio from ADK will be manufactured in Oregon.
(We have a second factory possibly in Kansas we're considering).
We will outsource Swiss, German, and American components only.

That being said, over a dozen Manufacturer's Reps, an accountant, and employees at half a dozen magazines,
American dock-workers, U.S.Trade-Show employees, etc.
have income generated by ADK. I agree that it would
be nice, in a perfect world, to build all ADK in America.

But let me ask you this: do any of your sons and daughters aspire to sit at a table and solder wires together for a living?

Dell Computers, Boeing Aircraft, a lot of U.S. Companies simply find that Americans want to design things, engineer things, and sell and service things. Not many want to actually do the grunt work. I didn't invent the global economy. All I am doing is to try to outsource quality components (Switches from Texas, Tubes from Europe, Capacitors and Transistors from Europe and Japan) and assemble products where they can be made so everyone can afford them. After five years, we continue to look at alternatives.

For now ADK will continue to have factory relationships in Taiwan and China. Our High End will be made in U.S.A. If anyone can find a solution that allows me to do it ALL "In Country" I am all ears!!!

Respectfully,

Larry J. Villella, ADK Microphones
www.adkmic.com larry@adkmic.com
1-360-566-9400
 
Re: Re: What's the difference between the Neumann U47 and the U87?

Buck62 said:

Actually it would be U40 (assuming that U is a variable)

Proof:

U87-U47 = U(87-47) = U(40)

;) :D
 
But let me ask you this: do any of your sons and daughters aspire to sit at a table and solder wires together for a living?

Larry: I've like pretty much all of what you've had to say.

But this bugs me. What are you getting at?

I know plenty of skilled American craftsmen, tradesmen, steelworkers, etc. Is this a put down on manual labor?

Also, if it is 'too dirty' for Americans--why is it ok for 'Chinese sons and daughters?'

Just thinkin' out loud.

-Jtt
 
what our children aspire to . . .

I wasn't passing any kind of value judgement. Just a simple observation. My father is an automotive engineer. He holds about a hundred patents on the internal combustion engine. Loved to build things - still does (86 years young!). I only meant that if you ask most kids today what they want to do when they grow up, factory work isn't one of the answers you'll often hear.

Is it Respectable Work - you bet!

Blacksmiths still work in our area of rural Washington. Craftsmen of all kinds make hand-crafted guitars and other fretted instruments. There are a lot of very noble pursuits that involve building things. I only see what the US is trending towards, and it's service-oriented (software not hardware!), sales oriented, and not manufacture-based. I could be wrong - (I've been wrong before)!

At least it appears to me to be the current trend in America.

As a matter of fact, ADK does in fact pay someone to solder wires when service needs arise- Audio Works in Seattle - but at $50 / hour it would be difficult for me to pay him to build by hand $200 microphones and make the cost pan out for me or the end-user.

So no slight was intended to fine hard-working American Crafts Men and Women. I will be paying top dollar to have them build our new line of Stealth Pro Audio products in the near future.

It's just that most of the folks that come to this forum think ADK mics are already too expensive! Most ADK Mics have a street price (New with Warranty) from about $150 to about $950. The trend seems to be the Under $99 mic. I can't put Toshiba and Panasonic and Thomas and Betts Components in them - even when they are assembled in China - and break the $100 barrier!
(At least I haven't been able to do it at the time of this post).


Again - if you know a way that I can serve both the needs of the project studio and working musician and also make these mics in USA - I am totally at your service to try to accomplish it! Really!!


Sincerely,

Larry Villella, ADK
 
I dunno, I thought that Larry's reply was thoughtful and respectful.

But C7sus and I are different sides to a similar coin.

Larry, I understand that your business model wouldn't work with US labor. You might well go out of business.

And there are those that can't afford American made goods.

However, because I have a little $$ I 'strongly' prefer to buy American. If money stays with American workers, more American workers will be able to afford the made in USA premium.

Partially because I know that US workers at least get minimum wage, and certain safety protections (comparitively).

And partially because I beleive in 'some' of the values underpinning our economic system.

I am not rabidly nationalistic, and I am not a purist. I don't beleive that Chinese manufacturing is inherently bad. But:

I would prefer our the rest of the world rising to meet our standard of living, to lowering ours to that of the third world.

But when you do come out with an American made line, I will definetely check it out.

Really 'made in china', isn't enough for me to discount an ADK mic either. But it is enough for me to consider paying a few $$ more for a Soundelux or Lawson.

I've been 'guilty' of buying Behringer and Marshall product, so who am I to say.

You represent your company professionaly, even when under heavy fire.

Just keep doing the best you can to do the right thing. Your heart seems like it's in the right place.

-Jtt
 
quote:
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But let me ask you this: do any of your sons and daughters aspire to sit at a table and solder wires together for a living?
--------------------------------------------------------------------------------

You don't understand the asian family ways and how they work. Not your fault at all. Not ALL asians are forced to work their children. In their countries, the families work together to earn money all in the same house. It is different in asia. Most of the work for large companies is in the form of "piecework" Families work together when the children are not in school.
 
I grew up in Snohomish County

You start your post "with all due respect" and then show me none. You curse me and denigrate me as if I were to blame for all the US employment problems. That's your option.

But I didn't move all those Boeing Jobs!

ADK has put Americans to work, not taken work away from them.

It's not like I started out building mics in Oregon, and then took these jobs offshore! Here are the facts: ADK paid out tens of thousands of dollars in U.S. wages last year. Before I started ADK it paid out zero. Next year I expect to pay Americans (not me) over $100,000. So is that not a step forward????

There is no robust microphone industry at this time in the US.
Again, this is a situation. I didn't cause it. I'm trying to change it!

Show me another mic company that started out in China that is now building mics in the US (ADK and Soundelux are the only one's that I know of). Will the dozen or so folks that we employ make up for the Boeing losses. No way on earth. Baby steps to be sure, but at least we are trying to make a difference.

So attack me if it makes you feel better, but the woes of the factories in the US are not of my making. Again - we will build microphones and pre-amps in Oregon. You curse me, and yet I am taking strides to add Factory work in the US.

Frankly I am hurt by these accusations. I don't think it's fair to ADK.

Shure goes to Mexico for assembly of some of their products.
Is that preferrable? I don't have the answers, but I simply don't see what jobs that I have personally moved off-shore.

If you are mad at Boeing, why take it out on me?

You asked a question. I answered to the best of my ability.

I agree that it is sad that Boeing and a dozen other big corporations have moved offshore for manufacturing. If you know how to reverse this trend I would like to hear your program. How do we undo it? I for one am taking steps.

The US is losing manufacturing jobs. I hear you loud and clear.

You have identified the problem. I know what I am doing to try to change it. What are others doing? What are you doing?

For me, I am taking what profits I am making and instead of putting them in my pocket, I am trying to bring it all back home
and create U.S. Factory and Sales and Advertising and Marketing Jobs. Tell me what more you would have me do. I'll listen!



Respectfully,

Larry Villella, ADK / Stealth Pro Audio
 
Larry. You're doing all--right. No need to nash teeth buddy.

Seriously, you seem like a good guy who cares about music and his product.

C7sus is explosive, and I'm a dweeb.

You're obviously not responsible for the actions of other companies.

Stick around here if you can bear too, your professionalism is refreshing.

-Jtt
 
yeah, I think that you're a nice guy Larry :)

Always helpful and very professional in your dealings with customers and potentional customers.

you even gave me a free popfilter when i found a small typo in the spec sheet for one of your microphones. I mean, how nice wasn't that?


and if you ever want to give something else away (I could use a couple of those u47 mics) you know who to...
;) ... :D


So, I dont think theres any need or reason at all to bash him or his company!
There are much worse and much more evil "big corporations" type of companies out there that in a much bigger degree deserves that kind of harsh critique.

just my 2 kronor...(swedish currency)
/jonas h
 
c7sus said:
Larry, with all due respect, you're talking out your ass.

c7sus, with all due respect, I think you forgot to take your med's again.

The local supermarkets have put...

Sorry, but I missed how any of that was ADK's fault or why it's Larry's responsibility to create jobs in your community. Maybe you could fill us in on that aspect of your rant.
 
acorec said:
Not ALL asians are forced to work their children. In their countries, the families work together to earn money all in the same house. It is different in asia. Most of the work for large companies is in the form of "piecework" Families work together when the children are not in school.

Well, I'll be damned.

It sure didn't take long to degenerate this thread from talking about some of the finer (or finest) microphones ever made to stereotyping Asians, did it?

Some people will preach about mics they know little about.
Some people will preach about countries/people they know nothing about.
And some people just keep telling their opinions as if it's the truth.

How sad.

Now Larry, I don't think it's much use explaining anything to those who have a fixed opinion on a matter. This I know as truth because, I'm a first generation Asian who has had to deal with friggin' stereotypes all my life.

It doesn't matter how well you articulate what should be an obvious fact to some. They just don't like whatever it is -- your company using foreign labor. You may argue a point and prove yourself correct, but they'll find another reason just as quickly. You may win a battle or two, but you'll never win the war.

It's like that piece of American history. Actively importing Asian labor to build inter-continnental railroads, reap all the benefits of it, then turning around and make a big deal out of these Asians as "Yellow Peril".

You know, anytime I see people preaching how Asians are poor and work like slaves for no money and take away jobs from Americans, I always find that so F'ing hillarious. Damn whiners.

Think about it. Competition is good for the consumers, and as a result, those who aren't competitive will be forced out, right? Isn't that esseneitally why Mars Music went out of business? I mean, y'all voted with your money, didn't you? Who's boycotting Banjo Center because they cheated and put Mars out of business?

So, then, why is it bad to have the same thing at a global scale?

You just can't sit on your sorry ass and whine that Asians are catching up to you and eroding your market share. Business is competitive. If you want to stay in the game, you gotta make an extra effort and stay ahead of the game. If you don't, you end up like Mars and K-mart. That is the American way.

Many many many American companies take advantage of cheaper cost of manufacturing in Canada, Mexico and Asia. Well, friggin' aye, I say more power to them.

I think ADK makes fine products. Same with Studio Projects. You guys serve the market at certain price segments, and try to stay competitive. That's a commendable approach to a business, especially considering the very tough nature of the market.

And to think, all this for an effin GERMAN microphone thread. How ironic.
 
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Re: Vintage '47

Larry Villella said:
I know you have had a great time lambasting ADK. I am still reminded of our phone call two years ago when you told me how much you liked the sound of our tube mics - that was until you found out we built them in China. Our phone call went "south" . . . in a hurry!

Hmmmm... two distinctly different recollections of the same phone call. From my perspective, the conversation went "south" when the "matched pair" contained two distinctly, and not subtly different sounding microphones.

You wanna make this about Chinese orgin... fine. Yes, M-A avoids microphones of Chinese origin... guilty as charged. The fact of the matter is that our decision to avoid them was based upon use.

A couple of the mics you sent over sounded absolutely fabulous... a couple didn't. To me, that was a "QC" issue that was endemic of Chinese mics from that time period... now... I don't know where nor how ADK is currently making mics... but I do know that overall "QC" on the Chinese stuff has indeed gotten better, I would [and perhaps erroneously... but I'm working with 'benefit of the doubt' here] assume that ADK stuff also went through better "QC" than the stuff I tried years ago.

This ain't about 'China'... it was about what you were saying vis a vis 'vintage microphones'.


As for the mic that went up five thousand dollars in a day, it happens that I was looking at an Elam 251 for $8k the week that article came out , and when I called back, the dealer (in MA) had raised their asking price - by nearly six grand! So did the street price go back to $8000 ? You'd know better than I.

Nope... last I saw they were still hovering somewhere around $20k... the fact that your 'pimp friend' in "MA" had the wrong price on the thing not withstanding... they've been going for between $15 and $25k [has to do with condition, care, feeding, the overall tone of the thing] for well over half a dozen years now.

Frankly, I wish I had seen the critter for $8k... I would have purchased the critter 'sight unseen' in a heartbeat.


If you think the piano analogy is cute, it's really one of my best references. The parallel seems self-evident. Soundboards lose structural integrity. Capsules fatigue. Both these vintage gems are worth restoring! But I have seen Steinways that were rebuilt with non-standard parts, and I have heard vintage U-47 that bore no similarities to the pristine example I was able to acquire.

And yes, there are other folks out there (Claus, Tracy et al) making great mics. I think these folks deserve kudos, too. I like Lawson because it's still within the realm of being somewhat affordable. Certainly there are others who build top-shelf mics.

Mechanical beast require mechanical maintenance. It ain't rocket science. FWIW, Klaus does absolutely fabulous 'restoration' work... about as good as I've ever heard... the fact of the matter is that some of the "original parts" just aren't available... or aren't a pragmatic purchase when there are excellent viable options.

If you build sonic replicas it matters the source of your inspiration:
I happen to know Gene has a few Choice Telefunkens he used as "models".

I'd be interested to know which is your favorite among those building replicas (clones?). Soundelux? Telefunken USA ?

I dunno... the 'replicas' (clones?) I see are evaluated on their own level... not as much in 'comparison' to the originals as on their own merit.

[quoteYou may lampoon ADK, but seriously, if it only matters what a mic sounds like, then who cares where it's built? And more to the point, have you listened to any of our mics lately? A lot of fine engineers and musicians have blind-tested our mics and actually not found any MSG aftertaste!!! (No headaches - didn't feel hungry 30 minutes later - none of the usual symtoms ! ! !)

I know it is fashionable to be an Audio Elitist and hate all things affordable and less than Rolls Royce caliber. But Fletcher: not everyone can afford tens of thousands of dollars for a mic closet!
[/quote]

My intention wasn't to "lampoon" ADK product, my intention was to relay a previous experience.

I absolutely agree with you that many folks can't afford a 'Rolls Royce caliber' mic closet... I absolutely agree that there are "affordable" tools that will get the job done. I would be a perfect asshole to assert otherwise... and lord knows I'm far from perfect.

The fact of the matter is that I haven't tried ADK product in a few years... the fact of the matter is that it could be much better than it was when you sent the mics over to be tried. The fact of the matter is that I assume [perhaps erroneously] that when a "manufacturer" sends M-A product for 'evaluation' that it's the best examples of the product... at the time when the ADK stuff was sent to M-A for 'evaluation' it was found to be lacking.

Whether or not this situation still exists, I dunno. It did when we played with them... and I try to only relay actual experience. I generally don't book $1,200 a day rooms to try things out unless I have a fairly good idea that the product might be of merit. I booked a $1,200 a day room, tried the mics on a variety of sources... and found some to be pretty good, and others to be less than good... and a lack of consistency. This was my experience. I don't know any other way to describe it.

Check out Manhattan Transfer's 'Got Swing' with the Cincinnati Pops, or Michael W. Smith's lead vocals in the Movie Joshua, or Kathy Mattea's last two CD's. They all used ADK Tube mics. In Kathy's CD there is a Brauner and an ADK - each on about half of the lead vocal tracks. (Selected by virtue of where they wanted her voice to fit in the mix).

You tell me which one was $5000 and which one was a $900.

I wouldn't presume to be able to tell... the "best" lead vocal I ever recorded was recorded using a 'handheld' Shure SM-57. No matter how many times we went back to 'rerecording' that vocal track... no matter what signal chain nor set of expensive mics we through at the process the performance, nor the quality of the audio was able to beat the SM-57. Does that make the "57" the be all, end all of vocal recording mics? I don't think so... but it certainly was the "be all, end all" on that particular singer, on that particular song.

When I make recordings in my studio, I typically ask the singer to do a few short takes on a variety of mics and then come into the control room and audition the mics. Sometimes they pick an M-269, other times a U-47, or even a C-12. But often they choose a brand they have never even heard of!

Right.

Find the right paintbush without the brand prejudice! Blind testing will do that. ADK has surprised a lot of industry icons. (And our upcoming Made in USA Division might even pass the Fletcher Test - so please - all we can ask is: keep an open mind!)

Absolutely... feel free to give a call when you have them in production.
 
RECOLLECTING TWO YEAR OLD PHONE CALLS

Thanks Fletcher!

I actually do think we remember pretty much the same phone call. You loved our tube mics (I remember that because I was terribly flattered) - but now that you mention it, you found the matched pair to be not so perfectly matched. The tube mics we have are still nearly the same (a few tweaks electronically) and the Matched Pairs have gone through two major overhauls!

In fact when we took a recent LE pair to Westlake Audio they put it up on the B&K Spectrum Analyzer and they thought the machine was out of whack because the two graph papers were virtually identical. They actually re-calibrated the machine! Same result. Only when they put it on the Earthworks did they see a difference (at the higher resolution). We are far from perfect, but since I have a respectable frame of reference, I am always trying to achieve improvements in ADK and maintain affordable prices.

I appreciate your candor. The Wall Street Journal article might have been more than 7 or 8 years ago (but less than 9). I still see Elam 251 in the $15k to $20k range. And I rue the day I didn't pull the trigger on the one for $8k ~!!!! Ah hindsight ! !

Anyway, your previous post is totally on point. We certainly have been a work in progress, and try each year to get the Chinese to incorporate more and more of our American and European designer's wishes. It ain't always easy!!!! But I'll die trying!

And to their credit, we seem to have made stides in China - truly!

I do look forward to sending you a David Baskind designed Mic.
It will be using a Josephson "C-12 Style" capsule, and some pretty amazing - and I dare say "breakthrough" - electronics.

The state of the art in microphone building seems to be the 1950's. My contention is that it doesn't necessarily need to be!

Thanks again for your concise commentary. It was balanced, and I don't feel like the butt of your incisive humor anymore. (I know:
if I deserve it, I will accept it unflinchingly in the future!!)

Best regards,

Larry Villella, ADK
 
Hey, let me add a few things...

Yep, the re-designed A51s will be nice. More consistent unit-to-unit. The new capsule is really nice. The difference between ie. the type III and new model coming out is pretty amazing methinks. The new electronics alone... well, you'll see.
AND, it looks cool.

Yep, the A51TT, CE, TC have no real capsule to capsule consistency issues. Minor tweaks indeed. Same tone, just a tad richer.

The A48, well, I have to talk to Larry again about this. I wanted to beef up the low end a bit more, but it's currently my fav vocal mic. NO MUD! NEVER! No EQ needed. And again, capsule to capsule consistency, from the samples I have here ( the A48 and A51ST use the same 1.07" capsule) is not an issue.

So, chinese capsule production is starting to be pretty good.
Now, it's up to the designers to come up with the right capsule specifications... Hmmm...

The Stealth, wow, I have nothing to do with that one, but Neumann and AKG can hold on to their butts...
Just the concept... wow...

JP
 
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