Whats born first; your chorus or your verse

Whats born first - your chorus or your verses

  • More often my verses

    Votes: 23 37.7%
  • More often my choruses

    Votes: 14 23.0%
  • 50/50

    Votes: 24 39.3%

  • Total voters
    61
I don't even think about lyrics until the music is finished.

I usually take a drum program and program the drums, starting with a catchy beat. Sometimes I'll even mimic a beat from a song I like. If the beat is good, that's a great start.

Then, I build a song with the drums only (programming, as I mentioned) using Fruity Loops (I'm going to upgrade to DKFH soon or Reason).

So, after the "song" is finished on drums, I listen to it over and over again while screwing around on guitar. Then, eventually, I come across a chord progression or riff that raises the hair on my neck. That's when I know I have it.

So, I play the song over and over again until I like what I play, then I record the guitars.

Next, I go back and listen to the song that's drums and guitars only and play bass. I try a lot of different combinations, and once I get bass lines I like, I practice and then record.

Then I have a complete song with drums, bass, and guitars.

After that I listen to the song a gazillion times (always with headphones, because I can hear the details better), and imagine different vocal scenarios, especially the chorus. I work on the chorus ideas first, and then the verses.

I think choruses that repeat constantly work the best, like "Lola". I don't like wordy choruses. One or two words works best, in my opinion. Think about "Jamie's Crying" by Van Halen. There are only two words in the chorus (three if you include the Whoa's).

However, Aint Talking Bout Love has many words in the chorus, and that song works well too, but wordy choruses don't work for me.


Basically, if I write and record a song, and then play the CD in the car a couple times, I'll know if it's pretty good if my kids start singing it later that day or the next. If I catch them walking around the house humming a chorus, I'm stoked.


I think that too often songwriters forget who might be listening to their songs. They get too complicated and are worried about how others will perceive their technical ability in terms of guitar playing, singing, etc., but a good and simple song that people enjoy is the objective.

Think about "Happy Birthday." That was actually a copyrighted song, and was in the Guiness Book as the most sung song in the country. It's a great song.


Row your Boat is also a great song.


I love songwriting. I stink at it, but like golf, sometimes I hit a good shot, even if it's only a piece of a chorus. Even a beginning golfer will hit a shot that exceeds the average shot of a pro in each round.

I keep hitting balls (writing songs), hoping I'll hit that hole in one.

If I like the song, then it's a success. Most of my songs make me cringe, and I don't want to listen to them. But I have a couple that I really enjoy listening to, and I know they're great songs. I might be the only one who thinks that, but that's good enough for me.

The songs will survive me.
 
for me its almost always the Chorus...the hook, riff, idea...

the verse just trys to take the chorus and add a bunch of over articulated non sense to it to justify its existence.


get to the point. the point is the Chorus.

Nowhere Man, Can't Buy Me Love, the Beatles...
The verses work obviously, but the Chorus says it all...
He's a REAL NOWHERE MAN SITTING IN HIS NOWHERE LAND

or CAN'T BUY ME LOVE...that says it...

or how about another great words man...Ted Nugent

Wang Dang I want Sweet PoonTang by Ted Nugent.

in his verse he says

yanga dang dang, yang a dang dang oh yeah...

the chorus I s Wang Dang I want a Sweet PoonTang

which again makes his point, while the verse "yang a dang dang" is just jibberish nonsense...

imo.:p
 
Ted Nugent is a jerk, and I think his music reflects that.

The only song I've ever liked of his is also the only song 99% of the public can name if asked to name a Ted Nugent song.

Cat Scratch Fever.

Ask them to name a second song, and they can't. But on the rare occasion that they actually can name a second song, it will be Freeforall.


I agree on the Beatles, and I agree with you to "get to the point--the chorus."


It's true. People wait for that chorus. It's the downhill part of the rollercoaster. The rest of the roller coaster is fun, but those huge swoops downhill are what we look forward to, and that's the chorus.


Think about The Wiggles, the children's music makers from Australia.

They are dorks, for sure, but they are genius dorks. They write fun, catchy songs that anyone can learn quickly.


I read in the "Songwriter's Market" (great book, by the way), that after two listens, someone should be able to sing the chorus to your song.
 
"Songwriter's Market" (great book, by the way), that after two listens, someone should be able to sing the chorus to your song.
Songwriters market aint worth shit if your market aint US. Even then its full of holes. There are some small articles in between the listings that are ok reading, but nothing that other books hasnt done much better earlier.

Else; I agree on your post.
 
about a year ago I had a friend of a friend female vocalist/acoustic guitarist ask me if I would record her work and lay down drums, bass and keyboard behind it. some of the songs she brought in were no more than a few ideas she had and needed some input on structuring them. before I knew it I was putting together whole songs for her. one of the tough spots she had in writting was this very thing of verse/chorus and what comes first and what should each be about. she had good lyrics in mind but her problem was that she got too held up in trying to get the message through to the listener, as a result there were lots of parts were there were too many words crammed in the songs and choruses lost a lot of catchyness this way. my advice to her was to get over the words your writing and focus on the rythm of them and how these words flow. so sentences were broken down in repsect to fitting them to a catchy rythm.
I think for catchy chorsus this is good to do because the listener is ultamatly going to find a chorus catchy because of its rythm and melodies not because of the words themselves. at the end she had a CD she was happy with and last I talked to her a few months ago she was still playing all the songs at shows.

many song writers screw up the most in thinking they need to somehow spoon feed listeners the ideas there making by writing obvious lyrics and don't realize that listeners can identify the demeanor of a song with just a few key words. and better yet if a listener can't fully grasp the meaning of the song it just means they can interject there own meaning in the words they hear.
 
My plan is now to write my choruses first.

Any inputs on this subject?

This is what I normally do...

I always start with the chorus...
I think of an interesting topic...
Then I try to resume my thoughts into short sentences... Using the less words as possible, although, they have to be the strongest & catchiest words on the song (since it's the chorus :rolleyes: )...
At the same time, I'm already trying to come up with a melody for these few words...
Once I feel somewhat comfortable with the outcome, I sit down, create a basic drum loop or pattern, find the right chords, layout some instruments to help me follow and/or improve the melody, verify that the mathematics of the lyrics & the music are tight with each other, and then I start dropping the vocals...
While recording the vocals for the chorus I always try to implement harmonies & highlights... Why do I do this??? This always helps me open new doors I didn't notice before, and almost the time ends up becoming a much better chorus than expected...
When this is done I sit back & listen... I always try to be as objective as possible when judging the material... I try to imagine that it's the first time I'm hearing this tune...
At this point I already know if it's going to work or not... My guts and my heart automatically let me know...
Well... It's time for a second opinion of someone with fresh ears...
I play it 1 time while looking at their reaction... I always use people who's brutally honest... But my best second opinion is my little kid... If after a few minutes of him listening to me while dropping the vocals he is already humming or singing the melody, I already know I'm doing something right... ;)
If I feel it's right, I continue to work on the song... If it doesn't feel it's right, I just save it and get back to it some other day... I've learned not to push creativity... It could be frustrating a lot of times... So it's good to know when to take a break...

How do I start with the verse???

I normally mute the vocals on the chorus and just concentrate on the music...
I rearrange the drum loop a lil'... Just a few tweaks... Add and/or eliminate some instrumentation to change the vibe of the melody, although it may continue to be the same chords as the chorus...
Using the chorus's melody & lyrics as a starting point, keeping in mind I don't want the verse to sound just like the chorus, and having a different groove on the verse's music, I open a new track and start recording myself humming the verse or just start singing (gibberish)... tadadie.. ta.. doodoo... :eek: (you got the point)...
I record as many tracks like this as necessary... Then I sit back, play them, and listen to them 1 by 1... I start choosing the segments that make sense and deleting the ones that don't... Just as if I was editing final vocals... LOL!!! :D
This gives me a tangible form of all the ideas I may have inside my head...
Something tangible it's easier to manipulate than something as abstract as an idea in someones mind...
Once I have the entire melody on a tangible form the rest is a lot easier...
It's just a matter of filling the blanks... Turn that "gibberish" into lyrics trying to preserve the quantization and/or flow of the "gibberish" already recorded...

As to what to write in the verse... Well, you should already know what to write about since you started with an idea/topic, and the main idea is already present in the chorus... It's just a matter of writing something around that...

Something that has helped me improve my writing skills is to train myself to impersonate/act instead of describing what I have to say...

For example, if I'm writing about a fight I had with my girl, instead of describing what happened: ("she did this, she did that, and then I walked away..."), I actually write down the argument:
("Don't you walk away from me, I'm not finished...
Who do you think you are talking to me that way...
Isn't enough everything I do for you...
Why do you have to believe all the things that people say...") :mad:

I also try to write the same way I talk... I wouldn't write words I won't normally use when I talk... I just try to be myself... It ads credibility to what I write... And since everyone is different, it will give you the uniqueness you are looking for...

There is not a perfect formula as to how to write, what style to use, what procedures to follow, or even a stipulated order of what to write first, second and third...

This is just me sharing my experiences with you and telling you how I do it...

This is what works for me... It doesn't mean that it will work for you... But if you have never tried this approach, it wouldn't hurt to try it...

Well... Good luck to you... And continue to develop what you have going on...
:)
 
i write the chorus first because its ususally summs up what the whole song is about.

I'm generally the same, although it's not usually deliberate. The first "clever" line I come up with to summarize the idea just usually falls out naturally as the chorus. Much of the time that's where it stops for me - I'm more productive in a collaborative arrangement, and usually need help sorting out the narrative into verse.
 
I have never put a formula to the writing process. Most of the time I find myself writing a chorus then some verses. Later on I normally go back and replace the chorus and or verse(s). So generally I say the chorus seems to get the ball rolling as for the writing process but it hardly ever stays as is. I don't ever like the idea of putting a formula to writing songs I hate when artists say things like "We have a chorus now lets put this verse here this verse first then after it a guitar solo and then two more choruses." Id much rather just let it all come out. Its a song not a collage of stanzas.

50/50
 
I guess I'm the organic type. I'll get a word or two that sound good together, like "Snippets and snatches" and work from there. Eventually a lyric and chorus may happen.

Other times I'll get a whole line. "In champagne there are bubbles, but in whiskey there is truth." Which may lead back to simpler words like "Champagne bubbles and whiskey truth." And that may lead off track completely--"Your head is full of bubbles like the champagne in your glass." The lines are all written down in one of those "Hook Books" mentioned earlier that resides in my back pocket constantly.

Occasionally I'll get a melody float through my head--"La-lala-lalala-lala"--can't write those down as easily so I'll slap some words at it to try and fix it in my head.

I may start with an idea, something I want to say. I've got this idea for a song about the Civil War based on soldiers writing home from the front. With luck, I can make it symbolic for soldiers from all wars. Those kind of songs are a lot of work--and I'm basically lazy.

I've written songs that were all verse. Someone once told me one of those (The Money Tree--you've probably never heard it) needed a chorus. Took me five minutes to come up with
"A money tree, a money tree
With fives and tens to pick for free
A little bit of seed is all I need
To grow me a money tree."

Usually it isn't that easy.

But whether the lyric is part of the chorus or the verse or the bridge usually takes a while. Sometimes the song itself has to decide.

I agree that the chorus is an important part. If the listener isn't caught by the chorus they won't listen to what you have to say in the verses (Though that's no guarantee they will listen.) But as in the acting trade "There are no small parts, only small actors."

As you can see, there are lots of ways to write a song. Some will feel more comfortable for you. But I advise that you don't neglect the other ways just to stretch yourself. Comfort zones lead to complacency.

Damn--I've been really rambling. Sorry. (Hey! there's a line. End of the verse or chorus: "And you know that I been rambling much too long...")
 
Sometimes I think I'm writing a chorus and wind up with a verse, and visa-versa (no pun intended.) I recently was writing what was supposed to be a song but couldn't come up with a chorus for it, so I just left the chorus out and called it a poem rather than lyrics.

What I hate is when I come up with a killer song while in the shower...by the time I get out I've forgotten half the words and the 'remake' never comes out quite as good as the original. I do keep a notebook by my bed since there have been times I've been lying there half asleep and the words just don't stop coming.
 
My hooks are always in the melody, not the lyrics. Generally I don't like a lyrical chorus, because it just seems boring to hear the same lyrics and a way to pad the song's length for radio (of course there are lots of exceptions).

But my preferred method is to repeat the hook, which consists of a catchy vocal melody, except change the lyrics. That way you get the catchy chorus, but no lame lyrical repeat/chant.
 
Then, of course, there are those songs where the chorus is part of the verse.

Just to make things more confusing...:D

"As the dawn comes creeping,
Roll on the day
Another night not sleeping,
Roll on the day
Roll on the morning, roll on the day
I hear the old man softly praying,
Roll on the day

Praying for another day,
Roll on the day
When it comes it wastes away,
Roll on the day
Roll on the morning, roll on the day
I hear the old man softly praying,
Roll on the day

Every night you fight for breath,
Roll on the day
It hurts so bad you wish for death,
Roll on the day
Roll on the morning, roll on the day
I hear the old man softly praying,
Roll on the day
Another long and sleepless night,
Roll on the day
Staring at the naked light,
Roll on the day
Roll on the morning, roll on the day
I hear the old man softly praying,
Roll on the day"

(Roll On the Day--Allan Taylor)

Not the perfect example, perhaps, but a great song. At any rate, the chorus is the part everybody sings along with, the way I look at it. Even if it's just "Fa-la-la-la-la la-la-la-la."
 
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