I guess I owe my unique sound to -- air. Air acts differently from electrons in a grid, or binary numbers sieved through truth tables. I try to get as much sound happening in the air before it dives into devices or mics. Even bouncing tracks can be done in air with mics and speakers, sounding better than going direct input. It is like the sound surfaces from the device to get some -- air. Some natural EQ combing takes place, the 'mud' is gone, and the bounced tracks are cleaner.