I love that image, Rick, have you jsut made that part of your sig these days?
Well, since this forum mod and owner REFUSE to acknowlege my multiple requests for a series of "sticky" threads, I have no other choice but to repeat typical important principles for the unelightened. I could link all kinds of stuff, but I'm growing tired of repeating the same shit over and over. Most of the "experts" have vacated the place too, for the same reason I bet.
But here is one more try at helping..
And where would i get this "SoundBoard stuff?
NO! NO! NO!
Apparently you didn't understand me. Let me put it this way. Soundboard is USELESS for building assemblies with "soundproofing" in mind. Now I'll say it again. DRYWALL is your friend as it is the BEST bang for the buck MASS. Multiple layers is the cheapest way to add mass to a wall,ceiling, or even a floor if covered with OSB or ply. But you can get better results if ONE LEAF is decoupled from the other leaf by double wall assemblys, staggered stud, or Resiliant Channel or Risc clip isolators. However, for novice builders, and small projects such as a booth, I'd suggest adding a layer or two to the booth interior, a SOLID CORE door with door seals or weatherstripping, a threshold with rubber seal, and caulking between the door jamb/stud prior to installing casing trim. Remember though, anytime you add a layer of drywall, your door jamb is now TOO NARROW, and you need to compensate with a casing filler.
Now for the bad news. Since sound propagates structurally through a building, as well as via the air, adding TEN layers MAY do no good under some circumstances, since you are decoupling NOTHING. For instance, if traffic rumble is a problem, or any low frequency environmental noise is transmitting into the house, usually it is transmitted STRUCTURALLY. Unless you decouple the booth interior leaf, this type of noise is usually impossible to negate totally simply by adding mass to the existing leaf. However, you may not need this depth of solution. But one thing ALL booths require is VENTILATION.
You see, when you "soundproof" a space, you "airproof" it as well. A small booth will quickly become very warm, with even one light and a human being, it can become uncomfortable not to mention the air becomeing unbreathable within minutes. But when you penetrate the envelope for supply and return ducts from a ventilation source, you now provide a flanking path for the sound you tried so hard to isolate the mic from....hence, your journey begins for answers to these delimas. WHAM BAM thankyou mam vocal booths are ok, but you tell me then...whats the point of isolation if it DOESN"T WORK?