What do I need to do solo shows?

  • Thread starter Thread starter lp51122
  • Start date Start date
L

lp51122

New member
When I say solo, I mean just me doing everything. Keys, bass, drums and vocals, but all programmed and looped to some extent obviously. Can I do all of this on one synth, or are there other things I would need for this? Those of you who do this kind of thing let me know what you use. thanks!
 
You've only got so many fingers and toes.
Hauling a computer on stage is just asking for a crash to make you look stupid.

You're going to have to play .mp3 or .wav or taped backing tracks minus what you want to fill in.

(same way performers have been doing solo shows for 50 years...)
 
Quality

The answer to your question all depends upon how excellent you want your show to be, and whether or not you can cover the vocals quite well, too. You do not want to play MP3's as Tim suggested. That would be the wrong way to go about it all.

I've been programming and working on being a one-man show for years, all except for a couple of things that I prefer to have a 2nd performer (guitarist who can also help sing).

But to get down to details:

One synth workstation may, or may not, be able to be enough. It all depends on the type of material you are going to do, and the capabilities of your workstation.

For example, my Kurzweil can do phenemonal Hammond B3 sounds, but it uses all its voices to do so, leaving me unable to play other sounds via its MIDI sequencer or even live on other parts of my keyboard. Therefore, I have to use a B3 sample (for some songs is quite sufficient), which frees up the 48 voices to peform the bass, drums, etc. being played by the Kurzweil's Sequencer.

If I am peforming a song with piano (I use all 88 keys for the most part), well then, that does not leave much geography remaining to play the horn parts, or analog synth parts, whatever. Therefore, I need my 2nd keyboard (sitting above my Kurzweil) to play the keys that are programmed for the other parts of a song.

I've found that electric guitar parts are not only difficult to pull off perfectly (believability), but also if it requires a good distortion sound (of which my Kurzweil does have), well, it interferes with how much Effects Units are available for other sounds that the Kurzweil is also playing. Again, having another keyboard is helpful.

The new Kurzweil PC3 is so powerful that you don't run into the issues I have been describing. It has 128 voices, and more than twice as much Effects power for its sounds, and a lot more other stuff, too.

If you cannot sing very well, but intend to do the singing anyway, you should consider using a Vocal harmonizer to add some depth and quality to your singing parts. This requires one of your 16 MIDI channels of your sequencer, dedicated to playing the right harmony notes that your harmonizer will play while you sing.

Drums sounds are very important, so you should take care to find a few excellent drum kits samples to play. Again, the built-in sequencer will handle all this. You do not need to have a laptop computer on stage.

Take note, though, that most built-in sequencers in workstations have limitations somewhere along the line, unlike a laptop and DAW. My old Kurzweil is limited to 64K song files, but I can string them together and get over this limitation, but it takes some careful programming to achieve.

The new Kurzweil PC3 is limited to 110K songs, and I do not know if you can or cannot string them together - which simply means that when the first file is finished playing, the sequencer is told to immediately begin playing the next song file, so that there is no interuption in the entire song process.

If you intend to do folk songs, beatle songs, etc., you don't have to make yourself sound like the whole band. Maybe you just want a drum track, and possibly a bass. It all depends on how realistic you want your overall sound to be.
 
Essentially, when it is all set up properly, it goes like this:


You step on a foot pedal to trigger your keyboard's sequencer of a song. The MIDI file being played, has already been tweaked by you so that the various instruments sound more realistic, utilizing the sounds from your keyboard. You may have 30 bass guitar sound programs in your keyboard to choose from, so you choose the one that is best for the song you happen to be doing.

Same thing for the drums, horns, etc.

Now, while the song is being played by your sequencer (essentially full orchestration), you then play the parts you wish to play LIVE along with the sequencer, i.e. the piano or Fender Rhodes.

Then you sing, too. If you have programmed a vocal harmonizer into your rig, too, your sequencer can tell the harmonizer which notes to play (harmonize) with what you sing into the mic.

When the song is done, you either key up the next song, or step on a different pedal to bring up the next song in the list, already laid out in the keyboard workstation.

It is a LOT of work to do, to get it done right, but once the work has been done, it's easy to keep all the money to yourself. The challenge then is to sing, perform, and sound great as a one man act. You still have to play your instrument live proficiently, while you keep track of all the technical things you have to do to get the next song ready.
 
I personally use a laptop with an old DDR pad as the interface. (Using Reaper, Pinnacle Game Profiler, and a bunch of custom FX plugins.)

Has it crashed on me in the middle of a set? No.
Has it had other glitches (songs stopping, issues with the DDR pad not triggering, etc.)? Constantly, but I think that's part of the charm.

MP3s are, I think, the worst way to go. It becomes patently obvious that you're using backing tracks, and you have to match the tempo, change-ups, etc. perfectly, or the song just won't work.

I feel it's important to use a rig that gives you more control live than just something where you press play and hope that you can lock to the tempo and not screw up. With fire-and-forget solutions, if you lose a beat, it's really hard to catch up again. Plus, more dynamic solutions allow you to change things around when you play. What if tonight you feel like this song needs its chorus repeated an extra time?
 
thanks for all of this feedback guys, some great insight here.
 
Back
Top