zip
New member
I thought it may be interesting to see what folks listen to prior to mixing to either pump you up or tune your ears in....
These are my 3 favs...
1) Pink Floyd. Wish You Were Here. Why?
Three words... DYNAMICS, DYNAMICS, DYNAMICS!!! OK - well that's one word but... What a wonderful use of dynamics it is! Almost silent to in your face sax. Vocals warm but not muddy. Excellent use of "sound effects" and creative synth...
If I could choose one style I wanted to mix like...this would be it!
2) Dream Theater. Scenes From a Memory.
Anyone who has heard this CD will know what I am talking about. BIG sound. Highly compressed NY style but not squashed. Probably one of the best examples of highly complex music where everything still has it's own space. Clear PRISTINE vocals. LOVE IT!!
3) Shania Twain. Come on Over. Why??
She friggin' HOT - that's why!! No really... It's what I put in when I find things getting muddy...especially in the lower midrange. Constantly reminds me to WATCH this critical area. Too many lower mids just kill a good mix. Although I know it's not true - the lower mids almost seem absent on this CD... well not absent - but TRANSPARENT...perfect.
What about you guys/gals...???
zip >>
These are my 3 favs...
1) Pink Floyd. Wish You Were Here. Why?
Three words... DYNAMICS, DYNAMICS, DYNAMICS!!! OK - well that's one word but... What a wonderful use of dynamics it is! Almost silent to in your face sax. Vocals warm but not muddy. Excellent use of "sound effects" and creative synth...
If I could choose one style I wanted to mix like...this would be it!
2) Dream Theater. Scenes From a Memory.
Anyone who has heard this CD will know what I am talking about. BIG sound. Highly compressed NY style but not squashed. Probably one of the best examples of highly complex music where everything still has it's own space. Clear PRISTINE vocals. LOVE IT!!
3) Shania Twain. Come on Over. Why??
She friggin' HOT - that's why!! No really... It's what I put in when I find things getting muddy...especially in the lower midrange. Constantly reminds me to WATCH this critical area. Too many lower mids just kill a good mix. Although I know it's not true - the lower mids almost seem absent on this CD... well not absent - but TRANSPARENT...perfect.
What about you guys/gals...???
zip >>