Well....

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sonusman

sonusman

Banned
The remote unit John is referring too is the BRC, which stands for Big Remote Control (no shit!). ADAT's come stock with a LRC, which means Little Remote Control (no shit again!!).

The LRC is a very basic unit that offers all the front panel transport controls of the ADAT and well as the two locate points (there are 4 or 5 on the XT units) Digital I/O selection, stuff like that.

You only need to hook up either remote to the Master deck. By the way, ADAT's sense where they are in the recording chain, so you don't have to define one as Master and one as Slave because they are smart enough to figure this out on their own thanks to a nice little chip inside the unit. So, the one remote controls all the decks in the chain (did I mention you can link up to 16 ADAT's together? no shit!!!) With the BRC, you can record enable any track on any deck. When using the LRC, you have to press the record enable on the deck itself that you want to record onto. Then you just press and hold play and hit record and only the tracks that you have enabled ON ANY DECK will start recording. Did I mention that ADAT's have a selectable crossfade for punch in's? (no shit!!!!).

If you are going to be using 2 or more ADAT's, do yourself a favor and get the BRC! (no shit!!!!!) Go to Alesis web site and take a look at the BRC's features. John was not kidding around when he said that the BRC is probably the best remote ever made! (no shit!!!!!!) It is really a work of art. I can't figure out why other digital multi tracks don't have something that works like it. It not only supplies the midi timecode stuff John referred to, but also SMPTE, Word Clock, Video Black Burst, and does all sorts of nifty thing as far as locate points, track delays, deck offset, pre roll, post roll, locate point loops. Did I mention that all the settings on the BRC can be saved to the beginning of the ADAT tape and recalled later? (NO SHIT!!!!!!!).

For the little over $1k price tag, it is a great device to own. You can probably find a used one somewhere for around $600. Don't kid yourself, you will want one if you are using 2 or more ADAT's. (no shit!!!!!!!!)

Ed (who has no more shit to give away now.....:D)
 
hey cheers for that ed , cleared up what was left to clear up... Well those guys from alesis get pretty technical with some of their unit names .... "big control unit!!!!" .. i see why u had to say no shit !! i would have doubted it otherwise .. So are they a good recording medium ? i know you just said they were , but what about breakdowns , that sort of thing ?? anyway , cheers for that ed ...

spider
 
I just realized....

I must have hit "New Thread" instead of "Reply" on that thread.....:)

I would definately go with the XT-20 over the Type I (black face) ADAT's. They sound much much better.

It is hard to beat an ADAT. Affordable and sounds good. I think if you keep up the maintnance of them, they should serve you quite well. If you buy new, you will wind up with a good machine. There are machines here and there that have transport problems, but Alesis is good about getting them fixed up and running good.

Lot's of advantages with the ADAT's. With the BRC, you have an extremely versatile recording medium...

Ed
 
Dang Me

And there was the $100 rebate till the end of August ' ' '
 
I saw a used BRC at MusicGoRound a couple months ago for $500 and DIDN'T BUY IT!! The wife wasn't even with me!
Feel free to kick my ass now ... my foot is starting to hurt ...
I don't even know what I was doing in that store.

I use 2 LX20s but I avoid the D/A conversion by using the lightpipe I/O exclusively. If I was going to only use the analog I/O I would probably have been smarter to go with XT20. Especially over Type I ... 20 bit is definitely worth it. The main drawbacks of the LX20 that I can see is the D/A converters, the unbalanced analog I/O and the cheap sheetmetal case.
 
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