
bongolation
New member
> The main problem with only using fabric is that it doesn't
> absorb the mids or lows. When you only absorb the highs you
> can end up with a very dead but boomy room.
Yeah, I know. Bass is just a misery all around, which is why I record bass direct or through a modeler, and am looking into getting something like Trilogy and just doing it with keyboard, the way it's being done in more and more major recordings ("Man, how did they record that great bass track?" "It's not a bass...").
Drums I'm doing electronically, for the same reasons. I'm just trying to get the grosser reflected echoes under control in a small, near-cubic room.
I would dispair of ever trying to kill outside noise, as it's nearly impossible in a wood frame house, and in my case it's not generally a problem at the times I record.
Getting a more deadened environment in the small vocal booth required heavier and denser material, and I believe the small size helps with bass some as well. I am going to try recording hand drums in there, too and see what happens.
Of course, the big problem is with mixdown monitoring, as there's no escaping the bass frequencies there.
In the home studio, everything is "improvise and compromise."
> absorb the mids or lows. When you only absorb the highs you
> can end up with a very dead but boomy room.
Yeah, I know. Bass is just a misery all around, which is why I record bass direct or through a modeler, and am looking into getting something like Trilogy and just doing it with keyboard, the way it's being done in more and more major recordings ("Man, how did they record that great bass track?" "It's not a bass...").
Drums I'm doing electronically, for the same reasons. I'm just trying to get the grosser reflected echoes under control in a small, near-cubic room.
I would dispair of ever trying to kill outside noise, as it's nearly impossible in a wood frame house, and in my case it's not generally a problem at the times I record.
Getting a more deadened environment in the small vocal booth required heavier and denser material, and I believe the small size helps with bass some as well. I am going to try recording hand drums in there, too and see what happens.
Of course, the big problem is with mixdown monitoring, as there's no escaping the bass frequencies there.
In the home studio, everything is "improvise and compromise."

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