S
sabbathguy
New member
Newbie here, I've been using Cool Edit Pro 2.0 for about 3 years or so and I love it.
I've been slowly burning my vinyl to CD and learning a lot as I do it. Things I have learned over the years:
1. Record in 32 Bit float.
2. Add a 1 - 2 Db boost around 14K to add a shimmer/Breathe Of Life to the vocals.
3. Do Not save as MP3, save everything as WAV files. No loss of information, (compression).
4. Do Not sample the run-in groove and subtract it as "noise" from the recorded wave form. This takes out too much vital tonality - cymbals sound "tinny" etc.
5. Do Not Hard Limit/Normalize the waveform - you loose dynamics and end up with an "in your face", modern MP3 type mix. (Anyone who owns Oasis' Be Here Now will know what I mean).
6. Pops and Clicks are best dealt with by zooming in and highlighting the offending bit and muting it.
7. Mono vinyl can be saved by selecting the best channel and copying it to the other channel. Works great on Beatles, Stones, Herb Alpert and Dylan mono albums.
8. Crop all tracks hard against the first note played/sung, do not leave any lead in space. Your burning software, (Nero in my case), will add the obligatory 2 second gap between tracks.
So, does anyone have a solution, (EQ settings) to overcome the "smilie face" EQ on "remastered" CDs - the thumping bass and treble that slices your head off on older, poorly mastered CDs?
I've been slowly burning my vinyl to CD and learning a lot as I do it. Things I have learned over the years:
1. Record in 32 Bit float.
2. Add a 1 - 2 Db boost around 14K to add a shimmer/Breathe Of Life to the vocals.
3. Do Not save as MP3, save everything as WAV files. No loss of information, (compression).
4. Do Not sample the run-in groove and subtract it as "noise" from the recorded wave form. This takes out too much vital tonality - cymbals sound "tinny" etc.
5. Do Not Hard Limit/Normalize the waveform - you loose dynamics and end up with an "in your face", modern MP3 type mix. (Anyone who owns Oasis' Be Here Now will know what I mean).
6. Pops and Clicks are best dealt with by zooming in and highlighting the offending bit and muting it.
7. Mono vinyl can be saved by selecting the best channel and copying it to the other channel. Works great on Beatles, Stones, Herb Alpert and Dylan mono albums.
8. Crop all tracks hard against the first note played/sung, do not leave any lead in space. Your burning software, (Nero in my case), will add the obligatory 2 second gap between tracks.
So, does anyone have a solution, (EQ settings) to overcome the "smilie face" EQ on "remastered" CDs - the thumping bass and treble that slices your head off on older, poorly mastered CDs?