Variax 300 review

  • Thread starter Thread starter Fab4ever
  • Start date Start date
Fab4ever said:
You know I only had the sitar on long enough to play the lick from Paint it Black. That sounded cool! I also tried Norwegian Wood, naturally,.
That's because on paint it black they use a sitar-guitar,which the Variaxx is supposed to emulate,on Norwegian wood they use a real guitar.

I,ve been wanting a sitar-guitar,but can't justify the expenditure,hence the question.

SITAR-GUITAR

Thanks!!!
 
Attachments not working for some reason. Two wma files in a single zip file???


Ed
 
Variax 300 - mine is VERY well made

Thanks for the excellent report on your Variax 300, sorry yours was somewhat disappointing.
I did not expect my Variax 300 to be a perfect guitar, after all it is the low-priced model of the Variax line. I was very pleasantly surprised when I got it. The quality is truly excellent. The fit and finish is perfect. Not the tiniest flaw in the wood, lacquer or varnish.. and I looked carefully for one.
It's a matter of personal preference and one's body shape, but this axe is so dramatically more comfortable than my Les Paul studio that strapping the Les Paul on seems almost like torture now. (And it is the most comfortable guitar to play while seated that I have ever had) The neck is very fast for me, and I was playing up to speed on the Variax neck in 2 days.
I think I got a LOT for my money here. I did not expect this axe to be so well done. Mine was inspected 18 January. So perhaps it was later in production that the one you received, and the production bugs had been worked out?
Thru my PODxt Live it is awesome and I have only begun to see what Workbench can do to customize it. I have gone thru all my favorite patches, and the difference the RIGHT guitar makes to them is inestimable. Before the Variax, the patches had to use whatever guitar I had. But no longer.
I have decided to buy an Atomic Amp now because my patches sound so good now, I am convinced with an Atomic amp they will be very close to perfect. (I guess it never ends until you run out of money.)
By the way, Workbench being a free download was a really nice thing. If you figure $99 for the hardware dongle verson of Workbench as opposed to $399 for a PODxt Live and getting Workbench free, it looks like a good way to save $99 on your PODxt Live. :D
 
How to Get Workbench Download

Go to:

http://www.line6.com/software/

and follow the prompts. Line6 site now requires registration and being logged-in to download software. Could not be easier, really. And good luck!
;)

-Joel
 
I've been out of town for a couple days, but I just wanted to add a couple things.

Despite my criticisms/observations, I'm still very pleased with my Variax overall. I just received my PodXT Live, and in a couple days I should have the digital cable. Then, I'll be able to edit the Variax patches and I predict I will be very happy indeed.
 
Variax and modeling tech: The Glass is 90% FULL

Everybody needs to take into account that guitars and amps and most everything else we use with guitars, has variation from one unit to the next in the same production run. "Fidelity to the Original" in this context raises the question "Which Original?" Line 6 models the best example of a particular instrument or amp or stomp box that they can find.

In GuitarPlayer April 2005, P. 104, Pete Anderson said:

"I don't want to disappoint guitar freaks, but I haven't used an amp for recording for six years. Line 6's Amp Farm plug-in does it for me. I am a Fender Deluxe Reverb guy, right? Line 6 loaned me the original Deluxe they modeled - the Mother of the Clones - and I did an intensive study comparing Amp Farm's Deluxe model to its Mother. I could never tell the difference."

So modeling technology can deliver the goods. How you use your POD or Variax makes all the difference. The acoustic models are never going to sound truly right without an Acoustic Amp. (They are true to their originals: the originals sound bad over a regular guitar amp, too.) And the Amp models will sound great if you play them through a neutral amp. You can't expect to get the full impact of a Mesa Triple Rectifier with a cheap 8 inch speaker 15 watt practice amp that has a cheap speaker and a wimpy ampllifier section. I have not been disappointed with ANY of the models after I tweaked my rig. (and don't moan to me about tweaking.. have you ever sat down with a Mesa and tried to get your sound? You can tweak those babies for MONTHS to find the tone you want, and you generally have to do it a a hgher volume than is appropriate for many practice settings.) And the difference in my PODxt Live patches now that I can assign the appropraite Variax model, rather than having only my Les Paul, is astounding.

I am glad I have all this stuff at my disposal! I do not understand all this nit-picking bitching and moaning. What Line 6 has delivered might be imperfect, (What isn't?) but it is such a vast improvement over what most of us had before that there is really no comparison. Compared to what I had before, my Les and a Roland amp, the Line 6 stuff is almost an embarrassment of guitar gear riches. I could never touch any of this stuff were it not for Line 6 technology. Face it, guitar people are the biggest Luddites in the world. These guys often have tattoo's and piercings all over their bodies, because they want to be different, but they are way too conformist to play anything but at Tele, Strat or Les Paul. All of which are 50+ years old. The REST of the world has made dramatic advances due to technology. What happened here? Amish Rock? :eek:
 
*Sheesh*

It's only a guitar. I don't know if Line6 has made an improvement, per se, but surely a big change in the way guitarists can work.
 
I don’t think there is any question as to whether they have made improvements, they have. So have many other firms that have followed in their foot steps. Their gear offers many more sound quality choices, for less $, than previously available gear.

One of the biggest underrated features of the Variax is it’s quiet sound. Plug in any real strat and hear the noise that comes from single coil pickups. Hear it change as you move around. Plug in a Variax and hear the same sound, minus all the noise.

It boils down to what each guitar player wants and feels comfortable using, and can afford....

Ed
 
I was thinking of getting a strat, but if the variax is really that good I may consider buying it instead. I know the feel won't be the same, but if I like the feel then that will be fine. I play through a peavy classic 30, which is a tube amp. So I guess you can see that I am an old school kind of guy. I don't really like modeling things, but maybe I just think that they don't sound as good. I think I might check this thing out. It would be cheaper than a decent strat anyway.
 
another question I have about this guitar is this: Is there any other way to hook up to the workbench besides getting the podxt live? I don't really want one of them, but if I got this guitar I probably would want the workbench. Thanks a lot everybody!
 
Yes, buy the workbench product, which includes a USB connection for the PC to Variax. That works fine for me, as I do not have an XTL.

Ed
 
Ed Dixon said:
Yes, buy the workbench product, which includes a USB connection for the PC to Variax. That works fine for me, as I do not have an XTL.

Ed
How much does that cost?
 
$99. Few online stores have them yet. I got mine on EBay from PhatTrade.

Ed
 
Ok thanks. Also I have another question. Does this guitar have a tremolo bar or can you put one on it? When I looked at pictures it seemed like you could not put one on, but I am not sure about that.
 
The 700 has a tremelo option. The 500 and 300 do not. Adding one is NOT an easy task, as the digital pickup is part of the bridge assembly.

Ed
 
Just a quick update. I hooked up the Variax to my new PodXT Live and played at church Sunday.

Very cool!

With that combo you can make the XTL control the Variax, so just by tappinga pedal I went from a Strat neck/middle position playing through a Fender Twin to a Les Paul on bridge pickup through a Marshall stack. I can't speak for the Les, as I don't own one, but it sounded thick to me. The Strat sound, as I said before, is very close to my American Strat.

I was also able to go into Workbench software and fix the relative volume troubles among the guitar strings, as well as some tuning problems with the 12-string models. Soon I'll be creating new body/pickup combinations.

Really, if you've got some cash and just like to experiment, I think this combo is worth it. If you need multiple tones on a budget, I'd say it's a must.
 
One more thing. I don't think the Variax I have, the 300, will every truly replace a > $1,000 guitar. While the sound may be close or even dead-on, the EXPERIENCE of playing a nicer PRS or a Les Paul is something that can't be digitally emulated, IMO.

However, the Variax WILL stop me from buying more cheap-o guitars. To wit: I just sold my Danelectro 12-string. As cool as it was to own, I found I don't actually PLAY it very often. Now, with the Variax, I know I'll be able to get a close-enough tone that I don't need the Dano. FWIW....
 
Back
Top