UAD too clean!

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mshilarious

mshilarious

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OK, if you know me, you'll know I'm a big UAD fan. Recently there have been some interesting threads places like PSW, GS, and KVR, discussing the differences between various EQ plugs. The consensus is that all properly designed, minimum-phase, fully parametric EQs can be adjusted to sound exactly the same. That's not necessarily bad, but it does have implications for the number of EQ plugs one needs to collect . . .

To avoid repeating all those threads, let's just stipulate that. The threads go on to discuss the operative differences between EQs--GUI and saturation features among those being discussed. I don't care about GUIs (actually don't like UAD's, they are too big, and I don't care how big the analog box is). One very esteemed poster opined that any saturation feature added should be made switchable, or even a separate plug.

The equivalency of EQs was not felt to apply to compressors, although given full control over compression parameters, I am not sure why that wouldn't also be true.

It was generally felt that such discussion did not apply to UAD, because they were algorithms modeling physical hardware, sometimes supposedly at the component level. But then there was another discussion about the UAD 33609 in particular, as to whether or not it saturated. There was quite a lot of argument about that.

So I broke out my UAD plugs and tested them. None of the plugs are sensitive to input level with respect to distortion, at all. None of the EQs I have distort, at all (note that I don't have all the EQs, Helios and Pultec here along with the Precision which I would not expect to distort). None of the plugs generate any second-order harmonic distortion, at all. This includes Nigel! I mean, I love Nigel, but what kind of amp sim doesn't yield any of the exact kind of distortion that most guitarists want :confused: (yes, I know UA has discontinued Nigel support for the UAD-2).

I must say I find this all somewhat disappointing, and an obvious reason--perhaps the primary reason--people say the plugs still don't sound like the real boxes. UA should rework the plugs to faithfully model the distortion of the actual boxes. Clean is a good option too, so either:

- make the saturation switchable, and model the real behavior of the circuit with 0dBu = -15dBFS
- trigger the saturation only with input levels exceeding 0dBFS (yes, I tried that already, no distortion)

For me, well I was writing a saturation plug for myself, so I'm going to make sure it fits into my chain where I really want it (<cough> Nigel!)
 
This post makes me want to run out and buy a "real" high end compressor.

Maybe they can't model the distortion?
 
This post makes me want to run out and buy a "real" high end compressor.

Maybe they can't model the distortion?

I highly doubt it, it's very simple to generate harmonic distortion. I am a VST design idiot, and even I can do it!
 
Did you test the 1073? I thought that one was supposed to have transformer modeling. That and the 1176 - maybe the 33609. Those are the only ones that I thought did that. I dunno?
 
Did you test the 1073? I thought that one was supposed to have transformer modeling. That and the 1176 - maybe the 33609. Those are the only ones that I thought did that. I dunno?

I had to activate the 1073, 1081, and 88RS demos . . . no second order distortion in any setting. Plenty of odd order distortion (3rd, 5th, 7th, etc.), but no even order, at all. Actually when I say plenty, like -80dB peak on each harmonic ~ 0.02% THD, so that's not even that bad, compared to what an overdriven analog circuit will do.

The 1176 on all buttons mode can kick out higher distortion (0.1% THD), but again it's all odd-order.

I'd like to say that I've made an analog circuit where second-order is not a prominent if not dominant harmonic (usually it's dominant though), but that would not be very true. And I've never done one with 0.1% odd-order and absolute 0 even-order.
 
I read that thread over @ GS, well I did have to dodge some riff raff:cool:

Odd eh?

Though the 88rs is said to be clean(comp side)., the 1073 & 1081, people always claimed it had a great "color",

WTF?

I like UAD's Precision plugs, but I'm starting to think most comps are kinda blahzeh blahzeh. Eq's?? hmm I don't like any plug -in EQ's

Diggin Stillwell stuff better.


T
 
Yeah, I don't really collect EQs the way many people do. I like the Pultec, but mainly because it focuses the choices I have. I don't like the draw-your-own-zillion-poles-and-zeros EQs. I mean, just how bad did you screw up your tracking :confused: :D

Comps do have color apart from harmonic distortion, in the way their envelopes behave. And again, I like fewer controls as opposed to more. The LA2A is my ideal comp interface, if not always sonics (although I use it quite a lot).

I just don't get why this has taken seven years or whatever to come out. I mean, I just accepted the statements of those who said the plugs didn't sound exactly like the hardware. I can't afford the hardware anyway, so no difference to me--the plugs still sound really good.

But it's quite clear the major reason the plugs don't sound exactly like the hardware is because UA didn't even try to emulate all their behaviors. Good, bad, or indifferent, it means that we still don't know to what extent plugs can emulate hardware, because apparently no one has really tried.
 
I'm not big into the analysis of relative merits of all the different plugs but I've never considered the uad EQs too clean.

The thing I like about the uad plugs is that if I'm looking for flavour or get something to poke out, I can drop the Helios onto a bass or synth track, or the 1073 onto a snare, try out a couple of presets, quick tweak and it's done.

I must admit though that I wouldn't buy all those plugs again. All I use now is the 1176, Pultec, Maximiser and P Limiter, and maybe the Boss Chorus. Still nice to have them available though
 
I honestly don't think since day 1 UAD-1's had the horsepower to run exact copy clones of their hardware counterparts. They come an extremely close second and no other pligin company can touch them.

Obviously with the new Uad2 out we'll see better plugs that have more horsepower to run them (although don't hold your breath to get the UAD2 quad running in vista 64)...already Massey have anounced their hardwear moving to UAD's software platform. We've had the harrison eq and the moog....all pretty resource hungry for a UAD-1 card.

Now with Massey and the massive passive as a $200 plugin...imagine the amount of internet mastering houses that are gonna spring up over night to wring the neck of this one. This WILL be the final seed that kills everything.
 
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