Halion said:
I doubt it. I've never heard of it either. Realizing how many different frequencies just a standard tuned guitar produces on just a single note on a single string is already enough to make your head hurt.
That's interesting, I've just Googled that and apparently these are the overtones that are produced by one guitar string:
root 1 1=1.0 tonic
1st 2 1=1.0 tonic
2nd 3 3/2=1.5 perfect 5th
3rd 4 1=1.0 tonic
4th 5 5/4=1.25 major 3rd
5th 6 6/4=1.5 perf 5th
6th 7 7/4=1.75 dominant 7th
7th 8 1=1.0 tonic
8th 9 9/8=1.125 major 2nd
9th 10 10/8=1.25 major 3rd
10th 11 11/8=1.375 between 4th and dim 5th
11th 12 12/8=1.5 perfect 5th
12th 13 13/8=1.625 between aug 5th and maj 6th
...so, yes, as you say, it might be pretty tricky.
Ofcourse it's possible to make a filter that boosts at a sertain frequency, but I can't think why that would sound "better".
Well I thought they might have designed the circuits to boost notes like E, A, D or G, which might make open chords/strings sound brighter and/or stronger. I had a vague idea they did that with effects pedals too (chorus maybe?)