It really depends on the vocalist. There's been a few times I've just used the raw vocal track with no doubling reverb or anything. Alot of times I'll double up vocal tracks and nudge one a bit to get a thicker sound. Other times I add a shit load of reverb. And for the more talented singers we'll record all kinds of harmony backing tracks. Vibrato, chorus, flanger, distortion almost anything can be used to some degree just depends on what the vocalist wants.
jonnyc, are you talking about actually getting the singer to sing again for the other track, or just copying and pasting from the original track into a new track in your DAW?
I like to clone the track, compress the hell out of one of them, and slowly bring up the clean track until you get powerful vocals while maintaining some dynamics. I forgot where I read about this, but it has become my favorite trick with vocals.
I like to clone the track, compress the hell out of one of them, and slowly bring up the clean track until you get powerful vocals while maintaining some dynamics. I forgot where I read about this, but it has become my favorite trick with vocals.
THIS HERE article refers to what Matt Rascal is talking about. The whole article is interesting, but a little bit of the way down, there's a paragraph entitled "The Motown 1960's Exciting Compressor".
I usually run a mild compressor (4:1 with a quick attack, med release with the threshold set just over the average RMS level for the track, and de-essing if needed). A little EQ, but usually close to flat. A hint of medium depth chorus on a lead vocal (maybe 15% wet with a 40ms delay). Background Vox=No rules. I'll use every FX I can get my hands on for BG Vox. And usually a lush warm sounding vocal hall type reverb over the whole lot.