Top 25 BDS Breakdown (URBAN) 12/18/2006

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Title Artist Label Spins +/- spins for this week

1 Shortie Like Mine Bow Wow Feat. Chris Brown Columbia 4710 280
2 Irreplaceable Beyonce Music World/Columbia 4531 524
3 Walk It Out Unk Big Ooomp/Koch 4050 -90
4 We Fly High Jim Jones Diplomats/Koch 3953 485
5 My Love Justin Timberlake Feat. T.I. Jive/Zomba 3944 364
6 I Wanna Love You Akon Feat. Snoop Dogg SRC 3782 469
7 Money In The Bank Lil Scrappy Ft. Young Buck BME 3496 -46
8 Stuntin' Like My Daddy Birdman Lil Wayne Cash Money 3421 -365
9 Promise Ciara LaFace/Jive/Zomba 3320 576
10 Unappreciated Cherish Sho'nuff/Capitol 3011 180
11 That's That S*** Snoop Dogg Feat. R. Kelly Geffen 2552 215
12 I Luv It Young Jeezy Def Jam/IDJMG 2459 219
13 Say Goodbye Chris Brown Jive/Zomba 2204 -376
14 You Lloyd Feat. Lil Wayne The Inc/Universal Motown 2145 283
15 Make It Rain Fat Joe Terror Squad/Virgin 2067 364
16 Show Me What You Got Jay-Z Roc-A-Fella/Def Jam/IDJMG 2063 -705
17 Money Maker Ludacris Feat. Pharrell DTP/Def Jam 2037 -364
18 Runaway Love Ludacris Feat. Mary J. Blige Def Con II/IDJMG 1912 375
19 Poppin' Chris Brown Feat. Jay Biz Jive/Zomba 1904 634
20 Push It Rick Ross Slip-N-Slide/Def Jam/IDJMG 1575 -363
21 Zoom Lil Boosie Feat. Yung Joc Trill/Asylum 1508 139
22 Top Back T.I. Grand Hustle/Atlantic 1407 17
23 Take Me As I Am Mary J. Blige Matriarch/Geffen 1265 -232
24 On The Hotline Pretty Ricky Bluestar/Atlantic 1236 226
25 Lost One Jay-Z Feat. Chrisette Michele Roc-A-Fella 1140 580

Bonus 25

26 Throw Some D's Rich Boy Zone 4/Interscope 1118 177
27 Ice Box Omarion T.U.G./Columbia 1091 187
28 Let's Ride Game Geffen 1073 -25
29 Upgrade U Beyonce Feat. Jay-Z Music World 1004 144
30 A Dozen Roses (You Remind Me) Monica J Records 971 35
31 Hood Boy Fantasia Feat. Big Boi J Records 911 190
32 Turn It Up Johnta Austin So So Def/Virgin 886 -187
33 One Tyrese J Records 867 168
34 Dem Jeans Chingy Feat. Jermaine Dupri Slot-A-Lot/Capitol 835 -38
35 Tell Me Diddy Feat. Christina Aguilera Bad Boy/Atlantic 827 22
36 Let's Stay Together Lyfe Jennings Columbia 757 -7
37 Ring The Alarm Beyonce Music World/Columbia 747 -297
38 Rubberband Banks Young Dro Grand Hustle/Atlantic 736 -261
39 Smack That Akon Feat. Eminem SRC 707 21
40 Change Me Ruben Studdard J/RMG 675 -75
41 Turn The Page Bobby Valentino DTP/Def Con II/IDJMG 674 -156
42 We Ride Mary J. Blige Geffen 673 168
43 Come To Me Diddy Feat. Nicole Scherzinger Bad Boy 631 -306
44 King Kong Jibbs Geffen 620 186
45 Rock Yo Hips Crime Mob BME/Reprise 590 59
46 Cry No More Shareefa DTP/Def Con II/IDJMG 557 67
47 Look At Her One Chance Feat. Fabo US/J Records 538 -50
48 Lost Without U Robin Thicke Star Trak/Interscope 532 110
49 Show Stopper Danity Kane Bad Boy/Atlantic 456 -118
50 Pac's Life Tupac Feat. T.I., Ashanti Amaru/Interscope 449 -101

from urbanconnects.com

 

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for those that might want to figure out payment

ROYALTY CALCULATION

Generally, royalties for a single musical work, in any surveyed medium, are the product of this calculation:

Use Weight X Licensee Weight X "Follow the Dollar"
Factor X Time of Day
Weight X General Licensing
Allocation
+
Radio Feature Premium Credits
(for radio performances only where applicable)
+
TV Premium Credits
(for performances in highly rated series, where applicable)
=
Credits


USE WEIGHT
The factor, or value, attached to each type of performance, such as theme, underscoring, promotional.
X
LICENSEE WEIGHT
This factor reflects the license fee paid by a station (or group of stations) and the number of hours included in the appropriate survey. The licensee weight is also referred to as the "hook-up" weight with respect to network television, reflecting the number of stations carrying a broadcast. Other surveyed media - such as TOP 200, live concerts tours, symphonic and chamber concerts, web sites, background music services, airlines, circuses, and ice shows - are also assigned 'weights' based on license fees paid to ASCAP.
X
"FOLLOW THE DOLLAR" FACTOR
This factor ensures that the license fees that ASCAP receives from any medium are paid to writers and publishers for performances on that medium. In other words, the money received from radio is paid out for radio performances, etc
X
TIME OF DAY WEIGHT (if applicable)
On television, the value of a performance can vary depending on the time of day; for example, whether it takes place in prime time or in the middle of the night.
X
GENERAL LICENSING ALLOCATION
Fees collected from non-broadcast, non-surveyed licensees (bars, hotels, restaurants and the like) are applied to broadcast feature performances on radio and all performances on television, which serve as a proxy for distribution purposes.
+
RADIO FEATURE PREMIUM CREDITS (for radio performances only, where applicable)
Songs that earn certain threshold numbers of radio feature credits in a quarter receive additional credits in that quarter.
+
TV PREMIUM CREDITS (for TV performances only, where applicable)
Theme, underscore and feature performances in highly rated network and local TV series earn additional credits as TV Premium payments.
=
CREDITS

CREDITS X SHARE X CREDIT VALUE = $ ROYALTY
When all of these factors are computed, we arrive at the number of total performance CREDITS. After establishing the number of credits generated by a performance, the next step is to allocate these credits among all of the writers and publishers of the work based on the SHARE each should receive. ASCAP is advised of the correct shares to be paid when members submit Title Registrations. For example, if two co-writers of a song share royalties equally, each will receive 50% of the total credits. The final step is to multiply credits by the appropriate CREDIT VALUE to arrive at the ROYALTY payment.

 

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and the rest http://www.ascap.com/licensing/radio/FeeMethodology.pdf