T
Tim Gillett
Banned
Another Tom Scholz quote, this time to highlight not so much his negative view of digital recording as his extremely positive view of analog tape recording as "what goes in is what comes out".
It's from the same 2006 article quoted in the previous thread about A/D conversion messing up the stereo image. Here again is the link to the full interview.:
30 Minutes with Tom Scholz of Boston | thirdstage.ca | BOSTON News, Video, Audio, Articles and much more!
Quote:
In general, you've never been a fan of digital. (Interviewer)
" I work only in an analog studio, so I hear music at its very best. I mean, there's nothing like the sound of an analog multitrack recording playing back. You'll never hear it sound so good again because it actually is the real thing. It's the real music by the real musicians, the phase hasn't been all screwed up by the A/D conversion, and the high end isn't all messed up trying to fit a 16-kHz tone into three pieces of a 44-Hz sampling rate. In an analog studio, you're hearing pristine, real-world sound, the way it would sound if it was coming through the mikes, and you were listening to them in headphones right there in your room."
Somebody like to start the ball rolling?
Again, comments from skilled, experienced audio people preferred. Thanks.
Tim
It's from the same 2006 article quoted in the previous thread about A/D conversion messing up the stereo image. Here again is the link to the full interview.:
30 Minutes with Tom Scholz of Boston | thirdstage.ca | BOSTON News, Video, Audio, Articles and much more!
Quote:
In general, you've never been a fan of digital. (Interviewer)
" I work only in an analog studio, so I hear music at its very best. I mean, there's nothing like the sound of an analog multitrack recording playing back. You'll never hear it sound so good again because it actually is the real thing. It's the real music by the real musicians, the phase hasn't been all screwed up by the A/D conversion, and the high end isn't all messed up trying to fit a 16-kHz tone into three pieces of a 44-Hz sampling rate. In an analog studio, you're hearing pristine, real-world sound, the way it would sound if it was coming through the mikes, and you were listening to them in headphones right there in your room."
Somebody like to start the ball rolling?
Again, comments from skilled, experienced audio people preferred. Thanks.
Tim