The Ghosts of Exchange Street Part 1

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Yonce N Mild

Yonce N Mild

Voice of Sanity
When me and my wife got married we moved into an apartment in west Akron on Exchange street. The apartment was actually the ground floor and basement of a pretty old house. The house was huge and obviously owned by a rather wealthy family during Akron's heyday as the rubber capital of the world. Now it was split into 3 apartments only 2 of them were occupied.

The master bedroom in our apartment really only had one place to put the bed because of closets on one wall and a radiator on the far wall. So more than likely everyone who had used that room as a bedroom had placed their beds in the same spot for decades. At the time I worked weekends and my wife worked during the week. So on the weekend I would sleep on the side of the bed with the alarm and during the week she would sleep on that side of the bed.

After a few weeks of living there I started to have 2 reoccurring dreams/nightmares. One was Shadowy figures wandering around the bed whispering things I couldn't quite hear. Standing over me staring at me faceless, nameless. Or the bedroom doorknob rattling and shaking. Someone is trying to get in. Pounding on the door.

These dreams would always come in the brief moment between sleep and slumber, lucid dreams where I was still in bed and aware of my surroundings. I would awake from the dreams screaming. I would either be yelling "fuck you!" "get out!" or if it was the dream of someone at the door I would be frantically screaming for my wife to climb out the window while I tried to block the door. To my wife these screams just sounded like a horrible low moan, she said they gave her chills, she said it sounded like a death moan.

Pretty soon I figured out that it was only when I slept on the side of the bed near the door that I would have these dreams. It got to the point where I was afraid to go to sleep on the nights that I was on the door side of the bed. So one day while the wife was at work I decided to move the bed to the other side of the room. It was totally inconvenient made it difficult to get to the closet and put me right next to the radiator so I had very little room to get in and out of the bed. I didn't tell her why I moved the bed because I didn't want to scare her so bad that we would have to move out. I expected her to squawk about it because it really didn't fit there.....she didn't say a word in fact she though it was a great idea.

After I moved the bed I never had one of those nightmares again. I didn't tell her why I moved the bed until well after we moved out of that apartment. She told me that she knew why I moved it and that she had similar dreams when she slept on that side of the bed. She never mentioned it because she wasn't comfortable talking about it but she was very relived when I moved the bed.

There was another encounter that I never told my wife about until we moved out. Late one night I was working on some tunes with my headphones on bobbing my head to the beat. I felt 2 sharp tugs at the bottom back of my shirt like a little kid trying to get my attention. I spun around quickly and saw no-one. Every single hair on my body stood on end. I got a pit in my stomach..... I could FEEL someone in the room with me, but I didn't feel afraid I felt.........sad.



So being a songwriter I wrote a song about it. It took me several years to get up the courage to write about it. It is still very difficult because the character are so real to me. I didn't write about my experiences but I tried to tell the story of that sad little boy who tugged at my shirt late one night.


Here it is: The Ghosts of Exchange Street part 1.


In a house on a corner behind the bedroom door.
There lies a wealthy matriarch her time is growing short
She lived a strong and fruitful life but now she slips away
destined for the great unknown it could be any day


Her offspring circle round her bed like vultures in the sky
To busy counting money to take the time to cry
Lined up to fight like dogs for any scraps that fall
she already gave them everything they thought they deserved it all

With them lived a little child pretty much ignored
every night he took the time to go through that bedroom door
He'd read to her from his books and share stories of his day
then he'd kiss her on her cheek and leave his bear to keep her safe
But he couldn't understand, no
You know he couldn't understand could he
how could he understand


Her offspring circle round her bed like vultures in the sky
To busy counting money to take the time to cry
Lined up to fight like dogs for any scraps that fall
she already gave them everything they thought they deserved it all


Late one night a stranger called and locked that bedroom door
It it seems her health is fading fast her time is truly short
The greedy hounds are at the door they scratch and pound and paw
and when they finally broke the door they were stunned at what they saw
But he couldn't understand, no
You know he couldn't understand could he
how could he understand

Her offspring circle round her bed like vultures in the sky
To busy counting money to take the time to cry
Lined up to fight like dogs for any scraps that fall
she already gave them everything they thought they deserved it all


There stood her trusted counselor testament in hand.
the vultures were enraged once they understood the plan
those dogs they tucked their tails once they saw their scheme destroyed
She changed her will before she died and left her fortune to the boy.
But he couldn't understand, no
You know he couldn't understand could he
how could he understand
 
Great stories - both the actual events and the song! I could almost feel the chills you must have experienced when the boy tugged on your shirt! Spooky!
 
The story in the song is vivid and compelling with some very good phrases and images!!!! The lyrics hold up well on their own - but the story behind the story is so very interesting it makes the lyrics take on a higher level (since we now know the "secret").

I always enjoy hearing how a song developed - and this is one of the most (perhaps the most) interesting) story behind the story I've heard.

I'm sure the ghosts are pleased you told their story (even if you took certain creative liberties).

Thanks for sharing!!!!!
 
Odd to see things about where I grew up on here!!!

Lived near exchange st. my whole life. First on Adams st. then on Carroll.

I'll agree with everyone's sentiments about both the stories and the lyrics!
 
I like the subject matter, and I particularly like the story development, specially in the third verse where the 'stranger comes', and the nature of this visit is not explicitly stated.

What I see here is a set of words that represent the scaffolding of a great song; keeping all the elements in place and presenting the structure.

What I would like to see now is a further refinement of the lyrics so that they all work towards the kind of thinking behind verse three, and stay away from the more common phrases. For example, "her time is growing short". "strong and fruitful life", "the great unknown" and "vultures in the sky" are examples of phrases in the song that are not highly original and are either over-used or very stereotypical.

Common equivalents of "her time is growing short" are:
"whose days are numbered"
"in the winter of her life"
"counting down her days"
and so on . . .

So you want to avoid saying something that's already been said, and come up with something that is uniquely yours. That's not an easy job, and I've been trying to come up with an alternative with little success, maybe something obscure like "in the shadows of her years".

I feel this work has to be done for all the phrases . . . so it could take a while!

But keep on with it!!
 
Odd to see things about where I grew up on here!!!

Lived near exchange st. my whole life. First on Adams st. then on Carroll.

I'll agree with everyone's sentiments about both the stories and the lyrics!

The house I'm talking about is a on the southwest corner of west exchange and grand.

stay away from the more common phrases. For example, "her time is growing short". "strong and fruitful life", "the great unknown" and "vultures in the sky" are examples of phrases in the song that are not highly original and are either over-used or very stereotypical.

Yeah I haven't done a single rewrite on this. I wrote it in about an hour although I've been thinking about the story for years. It just kind of flowed for me and I didn't want to interrupt the moment by over thinking the wording. I agree about the cliche lyrics I even use a variation of time is short twice which doesn't work for me at all.

I like the vultures in the sky line though. Mostly because it conveys the imagery from my dream so well. I think I'll allow myself one cliche in this one.;)

As I start fleshing out a melody and work on this with my band the rewrites might just take care of themselves. Or I might struggle with em for months.:(

I'm glad everyone likes the story.

I'm always open to suggestions..... for example what rhymes with door and means dying?:eek:

Thanks everybody for taking the time to read such a long(but hopefully entertaining) post.
 
"You must pread some......

..Reputation around before giving it to gecko zzed."

But yes, the rewrite on this one would be time well spent. Great story.......now try to be more original and succinct. Omit every word that isn't pulling its share of the load. ;) You have a great story here. Don't be in a rush to finish this one. (And be certain to keep us posted on your progress!)

Dave's Awesome Blog
 
Good intro story, and the song looks like a good start but it still leaves me a little confused...

Verse 1:
For the second line, maybe something like "There lies...who soon will rule no more" ? "Strong and fruitful life" is something of a cliche, maybe more of a contrast of her strength then vs now to add to "now she slips away"...something like "She used to have such a grip on life but now it slips away"?

Chorus:
First two lines the offspring are vultures in a circle, second two lines they're dogs in a line. Dogs looking for scraps are not the same thing as vultures. Vultures might not wait for her to die to take what they can while dogs wait somewhat patiently for the scraps. (that's just my impressions.) If she already gave them everything, what are they waiting for? There'd be nothing left.

verse 2:
The child...are you seeing him as a foster child, someone who cared for her because she CHOOSE to care for him, unlike the "offspring" who saw it as their right? Most of that verse is ok, but I seem to think that "leave his bear to keep her safe" might be a tad lengthy syllable-wise to fit the rythym. Also, what is it that the boy couldn't understand? I'm not sure about that part.

verse 3
Once again, bedroom door in first line like first verse, but it was in the second line in the second verse... and her time being short was established already. The offspring are once again hounds, no longer vultures and the verb tense is a tad confusing. They ARE AT the door, but when they BROKE the door, the WERE STUNNED at what they SAW. Then "He couldn't understand" again. WHo he? The boy? The stranger? And I still don't know what he couldn't understand.

Verse 4
Unlike verses 1,2, and 3, "bedroom door" is not mentioned at all this time. The stranger is now a trusted counselor. The offspring are vultures AND dogs. She left her fortune to the boy, but you already say she gave the offspring everything, so she really didn't. And "he couldn't understand." What did he not understand this time?"

----------------
Even though I tore the song to pieces in the above, I would like YOU to understand that overall, I LIKE it...just trying to understand the story you're telling. I DO have a habit of overthinking at times, so if this is one of those cases, then I apologize. I was just getting wierd mental images reading the lines, trying to comprehend what you're trying to get across.

Keep working on this one; you have a diamond in the rough, to use a cliche in my response. :)
 
Good intro story, and the song looks like a good start but it still leaves me a little confused...

Verse 1:
For the second line, maybe something like "There lies...who soon will rule no more" ? "Strong and fruitful life" is something of a cliche, maybe more of a contrast of her strength then vs now to add to "now she slips away"...something like "She used to have such a grip on life but now it slips away"?

Chorus:
First two lines the offspring are vultures in a circle, second two lines they're dogs in a line. Dogs looking for scraps are not the same thing as vultures. Vultures might not wait for her to die to take what they can while dogs wait somewhat patiently for the scraps. (that's just my impressions.) If she already gave them everything, what are they waiting for? There'd be nothing left.

verse 2:
The child...are you seeing him as a foster child, someone who cared for her because she CHOOSE to care for him, unlike the "offspring" who saw it as their right? Most of that verse is ok, but I seem to think that "leave his bear to keep her safe" might be a tad lengthy syllable-wise to fit the rythym. Also, what is it that the boy couldn't understand? I'm not sure about that part.

verse 3
Once again, bedroom door in first line like first verse, but it was in the second line in the second verse... and her time being short was established already. The offspring are once again hounds, no longer vultures and the verb tense is a tad confusing. They ARE AT the door, but when they BROKE the door, the WERE STUNNED at what they SAW. Then "He couldn't understand" again. WHo he? The boy? The stranger? And I still don't know what he couldn't understand.

Verse 4
Unlike verses 1,2, and 3, "bedroom door" is not mentioned at all this time. The stranger is now a trusted counselor. The offspring are vultures AND dogs. She left her fortune to the boy, but you already say she gave the offspring everything, so she really didn't. And "he couldn't understand." What did he not understand this time?"

----------------
Even though I tore the song to pieces in the above, I would like YOU to understand that overall, I LIKE it...just trying to understand the story you're telling. I DO have a habit of overthinking at times, so if this is one of those cases, then I apologize. I was just getting wierd mental images reading the lines, trying to comprehend what you're trying to get across.

Keep working on this one; you have a diamond in the rough, to use a cliche in my response. :)

Some interesting points here, as well as some I'm in two minds about

1 Vultures and dogs. This didn't worry me first time around. Perhaps the song would be more cohesive with a consistent description of the villians, but I'm still not overly fussed. Going the other extreme, I could also imagine a change of animal each time.

2 "She gave them everything" I understood to be the equivalent of "she gave them whatever they wanted", or "she did everything for them" (i.e. they were spoiled rotten), and not the same thing as "she gave them all her worldly goods" (which would mean, of course, that there was nothing left)

3 "He could not understand": This did not disturb me at all. I read it as the boy not understanding, and I took it to mean something like: "I love my foster mother and I do things for her because I like doing things for her. I have no other agenda, and I don't understand the complicated behaviours of the adults". For me it was always the boy who did not understand.

4 There is indeed a tense change in verse 3, from present "are (at the door)" to past "(they) saw". Were this to be a short story, I would be more concerned. I'm a bit more relaxed about it in a song.

5 "She gave the boy everything" I took to mean that she bequeathed the rest of her estate to him.

6 It would be neat if the "bedroom door" couold appear in each verse as a recurring symbol, but for me it's not critical.

I have a high tolerance for ambiguity, so I don't mind the vagueness of some of the lines . . . I am happy to supply my own interpretation. But I can see how a more critical eye might like to smooth out the ruffles of inconsistency.
 
Thanks for the insight fellas! Some really useful advice here.


The vultures and dogs comparison is something I hadn't thought of. The dogs I was thinking of would be more like a pack of wild dogs not household pets. I could probably communicate that better by changing dogs to wild dogs and maybe say pacing instead of lined up, because lined up does give the impression of order and some discipline or respect.

Strong and fruitull life has to go no doubt about it. Not only does it sound corny but it gives the impression that this was a great woman in some respect. It's not that she was a bad person but she spoiled her kids rotten always bailed them out of trouble and gave them everything they asked for. She isn't meant to be the hero in this story.

I think that whole verse might change I like the "who soon shall rule no more" idea. I might use that. I might change the rhyming scheme in the verses though. I think rhyming every other line will make it sound less nursery rhyme-ish.

I think I will change "she already gave them everything" to "because she gave them everything". I think that will communicate that she spoiled them a little better.

I see the child as either a grandchild or maybe a child of one of the servants. Why he does what he does is meant to be decided by the listener. Because I'm not sure of his motivation. Thats why I say he couldn't understand could he? Did he care for her the way he did simply because he is an innocent child or because he knew she was dying and that she was sad and lonely? Did he understand what was going on? You could conclude from his behavior that maybe he understood more than the adults around him gave him credit for.

The change of tense is something I'm working on it was so I could use paw to rhyme with saw. I need to have the imagery of someone or something desperately trying to get through the door since that image was so prominent in the dreams that inspired this song. This is a pretty simple rewrite though. I think I'll change that line to "they scratched and howled and clawed"

I'd love to find a was to work bedroom door into the last verse I haven't given that much thought yet so I'm all ears if anyone has any ideas. The lawyer (trusted counselor) arrives unannounced and sneaks in. So he is a stranger to the everyone in the house except the old woman. In the end the plan is revealed......I'm thinking maybe if I call him a hooded stranger the it would give the impression that his identity was concealed when he arrived. I am concerned that hooded stranger may give the impression of the grim reaper. Although that might work since the reaper and the counselor arrive at just about the same time in this story........hmmmmm.
 
Ok, I get the Pack of wild dogs thing... otherwise I'd have suggested comparing the young boy to a family dog since he seems to portray the loyalty, patience and blind love of a dog, even protecting her with his bear, at such a young age. Wonder how the song would be pitting the loyalty of the family dog against the greed of the vultures... I thought that if you just changed the offspring to vultures entirely, the one line where they're breaking through the door could be "peck and scratch and claw"...

And, while it probably won't work for you, I did realize that "portal" and "mortal" do ryhme (you asked for something rhyming with "door" that means close to death...)

As for the lack of understanding the lack of understanding, after a while the picture I get is at first the boy not understanding the attitude of the offspring...kind of "how can you NOT love her?" then at the end he doesn't quite understand why she gave HIM everything..."Why me?"

How about "Because she gave them all they'd asked, they thought they deserved it all" ?
 
OK here it is after some serious rewrites. Tons of thanks to JDblessing for his help. He sent me a rewrite in a pm that was super helpful. It seemed that all my favorite parts of his rewrites were the parts that I was struggling the most with!

Thanks for taking the time to do that JD I really appreciate it. I didn't use all your suggestions but some were just flat out perfect.


Here it is after the rewrites:

In a house on a corner behind the bedroom door.
There lies a wealthy matriarch who soon will rule no more
The iron grip she held on life loosens every day
There is still one thing that she must do before she slips away


Her offspring circle round her bed like vultures in the sky
To busy counting money to take the time to cry
They pace the room like wild dogs to fight for scraps that fall
Because she gave them everything they thought they deserved it all

With them lived a servant's child pretty much ignored
every night he took the time to go through that bedroom door
He'd read to her from his books and share stories of his day
Then he'd leave a kiss on her cheek and his bear to keep her safe
But he couldn't understand, no
You know he couldn't understand could he
how could he understand


Her offspring circle round her bed like vultures in the sky
To busy counting money to take the time to cry
They pace the room like wild dogs to fight for scraps that fall
Because she gave them everything they thought they deserved it all


Late one night a stranger called and locked that bedroom door
Though her body had grown weak, her mind was strong once more
The greedy hounds went at the door they scratched and howled and clawed
and when they finally broke it down they were stunned at what they saw
But he couldn't understand, no
You know he couldn't understand could he
how could he understand

Her offspring circle round her bed like vultures in the sky
To busy counting money to take the time to cry
They pace the room like wild dogs to fight for scraps that fall
Because she gave them everything they thought they deserved it all

That stranger was her counselor, behind the bedroom door.
The vultures shrieked in rage when they saw what was in store
those dogs yelped like scolded pups once they saw their scheme destroyed
She changed her will before she died and left her fortune to the boy.
But he couldn't understand, no
You know he couldn't understand could he
how could he understand
 
That stranger was her counselor, behind the bedroom door.
The vultures shrieked in rage when they saw what was in store
Their greedy dreams came crashing down as they saw their schemes destroyed
She changed her will before she died and left her fortune to the boy.
But he couldn't understand, no
You know he couldn't understand could he
how could he understand


Update on the last verse lost the dog analogy altogether.
 
My thanks to you, Yonce. I had been in something of a dry spell, writing-wise. The story was quite intriguing and the idea of something to "fix" was like a cool glass of water. I knew you didn't ask for my help, which is why I sent the re-writes as a PM, in case it was unwelcome. I really enjoyed the challenge. :)
 
My thanks to you, Yonce. I had been in something of a dry spell, writing-wise. The story was quite intriguing and the idea of something to "fix" was like a cool glass of water. I knew you didn't ask for my help, which is why I sent the re-writes as a PM, in case it was unwelcome. I really enjoyed the challenge. :)

That's awesome! I'm glad you enjoyed it and maybe gained a little inspiration from it.
This song has had quite an impact one everyone I've shown it to. I'm really pleased with the results.

Typically when i write a song it goes in the notebook and waits for the band to write an appropriate riff for it to go with.

With this one I showed my brother the lyrics on Friday night. When I showed up for band practice on Sunday him and our lead guitarist had spent all night Saturday writing the music and fleshing out the structure of the song.
They were so excited about it we spent the first couple of hours working on the new song. It's awesome when people you respect as musicians and songwriters are so enthusiastic about your material. Usually it takes my songs months to develop but this one is moving faster than anything I have written in the past.


I might try and throw a couple of mics up at practice and record what we have so far so you guys can check it out.
 
If you ever want to try a hand at collaborating, or just need some lyrical help; my schedule is wide open for reasonable rates! :)
 
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