TEAC A-2300SX vs. Sony TC 277-4

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bjornbjorn2

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hi
i have both the TEAC A-2300SX and Sony TC 277-4 reel to reels ,
i want to record music i recorded on my computer on to tape and back to get a warmer analog sound.
Which one is better for that ?
and what type of tape should i look for ?

thanks for any input !
 
Any of those would be fine but in all honesty try to track to analogue first rather than the other way around, for a more "authentic" sound. Look for Maxell UD-35 or UD-50. Even lightly used, it's a safe bet. Quantegy 407/406; Scotch 207/206 are cool too. All can be found on eBay.
 
The Sony isn't a true four track. I used to own one. I'm not sure exactly what it was designed for, other then the Quadrophonic fad in the early 70s. However, you can record two tracks (e.g. LR Front) and then monitor those and record two more (e.g. LR Rear) I don't know if it was designed with that in mind, but it works.
 
thanks

is there a difference in sound if i record a stereo track on 2 channels vs recording on all 4 ( right on 2 and left on 2 ) on the sony ?
 
If I'm understanding your question, in the sense do you get a wider track by recording on two channels on the Sony. No. you don't gain what you would with a wider track (ie 2 track or 1/2 track) like an Otari. Both the 2300 and the Sony are "four track" machines, the Teac stereo the Sony Quad. The benefit to the Sony is a cheap way to multitrack, sortof as I indicated above.
 
The main thing is to use a 3 head tape machine so you can feed the taped signal straight back into a new digital track on the fly. Otherwise you will have serious sync problems. Of course you will also have to go back and manually align the beginning of the track with the original as there will be about a second delay.

Tim
 
the TEAC A-2300SX has 3 heads , so how would u do that ?
 
I guess, on a basic two channel sound card or interface, connect line out left to tape line in (any track). Connect tape line out (same track) to soundcard right line in.

Play back the file you want through line out left by routing it in your software mixer. Record it onto tape with the machine's monitor switched to "tape". Set soundcard's right input for record and start the whole thing.

Adjust record levels (in both tape and on digital recorder) to suit. You will probably want to overload the tape but not clip the soundcard input.

Do this for whichever digital tracks you want to add tape distortion to.

Now the taped track will be about a half a second or more behind the original track. Make a note of the exact time difference as accurately as you can. Then you can use that same figure each time you do the next step. Visually and by ear, move the track to the left until it aligns perfectly with the original track. This can take some fiddling including zooming the screen timeline up. Once you feel it is right in sync, you're done. You will have two tracks or files of the same material both the second one has been through the tape machine.

So it's no different to using any outboard effect using analog signals.

This setup as opposed to tracking everything onto tape and then dumping into digital would be my preference because you are being selective in which tracks you want to deliberately add tape distortion to.

Hope this helps.
 
Sony TC-350 vs TEAC A-2300sx

what about Sony TC-350 vs TEAC A-2300sx ?
 
what about the SONY TC-350 and the SONY TC-530 how do they compare to the TEAC A-2300SX and the Sony TC 277-4 ?
 
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