famous beagle said:
That was highly disturbing jp. Sounded kind of like "Flash Gordon gone satanic"
The full version is here:
I can't now remember if the echo was done digitally or with the tape echo - quite likely both (tape slapback into a digital delay for the long echo). When I rerecord the last verse I'm going to have to figure out what I did somehow.
Please excuse the peculiar lyrical content, I get most of my inspiration from webcomics.
Anyway, here are a few examples of tape effects I've done:
This was my first successful attempt at flanging:
This one has genuine backwards-tape reverse reverb on one of the verses, and tape manipulation at the end (prodding the reels on a UHER 4000L):
...originally I wanted to do the gibberish at the end by tape splicing but I couldn't get the stuff to do it in time so it was done through software (a program I wrote for my brother when he was into noise-rock). Sadly the backwards fragments and stuff were done with goldwave, for the same reason.
This one uses the echoplexor motor-cut switch at the end of the song:
Here's a clip from one of my more recent songs. The clock is a tape loop. The sounds at the end were junk that ended up on the multitrack but I thought was cool so I dumped it to 1/4", spliced the bits into what I thought was the best order and put it back on the master tape at the end of the song. Some of the 'junk' is me messing around with the edit mode on the Revox and another tape loop which I didn't actually use in the end. The echo is tape echo.
(This was accidentally done as a 32khz mp3)
Here's a clip from the Radio Project, featuring misuse of the edit mode lever and some trick tape splicing at the end:
(This was also accidentally done as a 32khz mp3)