sweetening voiceovers

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bjornaagedk

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I have some professional voiceovers recorded in studio. The quality is great, but I am looking for an advice on how to sweeten a male voiceover, I mean adding this little "touch" that makes the voice just better.

Are there some plugins that I should try, or can someone give me an advice ?
 
It could be, depending on the program material, that some judicious use of compression might help even things out - it will boost the low volume syllables up if that's needed.

It's very hard to know what needs to be fixed without hearing it! :)

I'd just say that most of the time some compression will help a vocal track, but I sorta cringe at saying that as it really depends on if it's needed, not what's done "most of the time".

But compression and eq would be the common angles of attack I think.
 
Found this in another thread and thought it was really cool...

From "The Exciting Compressor" article by Robert Dennis

The Motown 1960's Exciting Compressor

With the Motown mix approach there were problems. If you wanted the lyrics to be heard you had to use a lot of compression on the vocal so that the the softer words could still be heard over the higher-level music. In addition you boosted the "presence range" (around 5 kHz) with an equalizer. The only problem with this is that it took the life & natural dynamics out of the vocal.

Lawrence Horn came up with a brilliant idea. He took the vocal and split the signal so that it when to 2 console channels. Before the vocal signal went to the second channel, it went through a compressor. Now he had two channels of the vocal - one compressed and one uncompressed. On the uncompressed vocal he added very little with the equalizer and he added the reverb. On the compressed channel, he compressed the h**l out of it and added a ton of high-frequency equalization. What he would do is bring up the "natural" channel to full level to get the basic natural sound on the vocal. On the other compressed and equalized channel, he brought this up just enough to add excitement and presence to the vocal sound.

The result was nothing less than amazing. In the mix the vocal sounded very natural and bright. None of the music ever "stepped on" the vocal and you could hear each and every syllable in the lyrics. The vocal never got lost.
 
Thank you both. I will experiment with compression...!
 
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