heylow, soundwise, I prefer the Superlux CM-8HK to the Røde NT5's. I just think they sound better. Though if you match the specs, the Superlux has 22dB A-weighted self-noise to the NT5's 16dB. The NT5's also require less gain than the Superlux by about 6dB. That might translate fine if your using the Superlux for drum OH's, but not as well for super-quiet acoustic parts. It depends on the application.
flatrockrecordin, I think the self-noise could be an issue. I would never recommend the Superlux for super critical recording - but then, I wouldn't recommend any of the budget small condensers for really critical recording. What most people want budget SDC's for are to use with drum OH's, percussion, amps and acoustic guitar. Anything around 14-15ish dB self-noise is nothing amazingly quiet anyway. And if you look at a mic that does get used a lot for critical recording - something like
the Earthworks QTC-1 - it also has an A-weighted self-noise of 22dB.
We also found during the recordings that the Superlux CM-8HK's didn't need as much gain from the mic pre as some of the other mics.
Rossi, looking at the Superlux mics I have here, it certainly appears that they're the same mic. What's funny is in the pic of
the Samson C02 mics - which are cardioid - they show the mics with the hypercardioid caps.
The new Superlux ECM-999 also appears to be a black version of the Behringer ECM8000.
Dan Richards
Digital Pro Sound
The Listening Sessions