B
blueorpheus
New member
Hi - this may (probably is) be a stupid, hard to articulate question, but I'll ask;
how does one get those bouncy, throbbing sounds/meters / arpeggiations in Sonar?! I love the Pet Shop Boys type of classically-influenced techno-dance - I'm a "classically trained" pianist with Sonar 1.3.1, a JV-1010, a VSS 1880, and a borrowed Ensoniq workstation (no manual, just use it as a MIDI controller).
I've read everything I can get my hands on about arpeggiation, but its STILL horribly unpredicatable as to what will come out from chord / octave structures. Try to create bouncy background throbs that come out sounding like brittle, out of line tinkling. At the very least, I'd like to learn how to create even those basic throbbing octave bass lines, that go (forgive the description;
root / octave octave, root / octave octave, root / octave, octave (change key) root / octave octave, root / octave octave, root / octave, octave, and so on
New Order, PSB, etc, play these wonderful, filtered, chord-based sweeps, parsed into 16th or 32nd notes that map PRECISELY to the beat - I'm trying to concieve of an approach that will let me get my ideas out in a similiar way.
Sorry, if this a dumb question - RTFM or "here's a quarter - buy and learn how to use a real synthesizer" would be valid replies ( ! ) - but is anyone else out there doing the same kind of work, and did you go through the same learning curve?
( I'm a single dad - not an incredible amount of time to go through all the variations I can dream up to test while I'm at work!)
thanks
blueorpheus
how does one get those bouncy, throbbing sounds/meters / arpeggiations in Sonar?! I love the Pet Shop Boys type of classically-influenced techno-dance - I'm a "classically trained" pianist with Sonar 1.3.1, a JV-1010, a VSS 1880, and a borrowed Ensoniq workstation (no manual, just use it as a MIDI controller).
I've read everything I can get my hands on about arpeggiation, but its STILL horribly unpredicatable as to what will come out from chord / octave structures. Try to create bouncy background throbs that come out sounding like brittle, out of line tinkling. At the very least, I'd like to learn how to create even those basic throbbing octave bass lines, that go (forgive the description;
root / octave octave, root / octave octave, root / octave, octave (change key) root / octave octave, root / octave octave, root / octave, octave, and so on
New Order, PSB, etc, play these wonderful, filtered, chord-based sweeps, parsed into 16th or 32nd notes that map PRECISELY to the beat - I'm trying to concieve of an approach that will let me get my ideas out in a similiar way.
Sorry, if this a dumb question - RTFM or "here's a quarter - buy and learn how to use a real synthesizer" would be valid replies ( ! ) - but is anyone else out there doing the same kind of work, and did you go through the same learning curve?
( I'm a single dad - not an incredible amount of time to go through all the variations I can dream up to test while I'm at work!)
thanks
blueorpheus