I completely agree. I think I'd go batty if I had to do a bunch of jingles and bands I didn't like. I've gotten to the point that I have so much neat stuff and a decent ear where the stuff doesn't
If you run a true pro-studio where your livelyhood totally depends on the studio being rented out, recording stuff that is disinteresting or not your favorite genre actually is a blessing. For if the studio is empty, you're still paying rent/mortgage, payroll, utilities, insurance, maintenance on the structure and equipment, et al.
Been there done that. That's why in my last two disasters of pro-studio (many moons ago) we ran specials in local papers all the time soliciting garage bands at lower rates than normal, as well as "be a star for a day" kind of thing - to attract karaoke fanatics who wanted to record themselves onto a tape or CD, to show off to their friends. We discovered quickly that the "be a star for a day" made a great gift, and offered gift certificates in fancy boxes to be given to boy/girlfriends, spouses, relatives or whomever. The "be a star for a day", while recording related, was also about atmosphere as well - we often dimmed the lights down, used a couple of stage spots in the life room, provided simple appetizers, soda, coffee, etc to create a semi-broadway type of atmosphere.
Made good use of the "dead days" best we could.
Running a pro studio is a tough business to be in - the competition is stiff, and a lot of established studios have a reasonable lock on their clients. Fancy, expensive hardware and software everywhere, miles of well documented wiring, etc.
Still, it's probably the best form of self-employment there is - art is always more enjoyable than sitting in a cubical, wondering the dust on your monitor never seems to go away.
