Studio Microphones, Which of these are better..

  • Thread starter Thread starter Born Wize
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Born Wize

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Ok yah, I'm coppin a new mic this weekend,
And i got these 3 in mind but i really dont know which
one to settle with, so maybe yah can help me out,
and compare each one, or tell me which one u feel is
better and why.. And if all these mics suck haha let
me know which one you will settle with personaly.
The prices for these mics range about 200. and below
at Sam Ash, so please keep the prices in that range.
Peace and Blessings!

audiotechnicaat3035condensermicroph.png

Audio Technica - AT-3035 Condenser Microphone

The AT3035 large diaphram Cardioid Condenser Microphone delivers exceptional detail and low noise. Wide dynamic range and optimized output level provide unmatched versatility. The Low self-noise (12dB SPL) is perfectly suited for the most sophisticated digital recording equipment. Extended low-frequency response for rich, full sound. Custom shock mount provides superior isolation. Lo-cut switch (80 Hz, 12 dB/octave) and 10 dB pad.

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samsoncl8condensermicrophone.png

Samson - CL8 Multi-Pattern Studio Condenser Microphone

Like the CL7, Samson’s dual-element CL8 features true capacitor condenser mic element design with dual 1.1-inch, ultra thin gold sputtered diaphragm capsules giving it the ability of multi-pattern operation. Switchable Super Cardioid, Omni and Figure-8 pickup patterns as well as a switchable Hi-pass Filter, and a 10dB PAD for handling signals with high SPL’s. The ultimate studio mic.

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samsoncl7condensermicrophone.png

Samson - CL7 Condenser Microphone

Introducing another musically empowering Samson condenser mic. Never before has a studio mic this good been available at this price. Like the finest studio mics costing hundreds, even thousands of dollars, the CL7 has a true capacitor condenser mic element. Capacitor-based elements are warmer, brighter and bigger sounding than electret-based elements. The CL7 features a large, 1.1-inch, ultra thin diaphragm capsule which faithfully reproduces a variety of sound sources including vocals, acoustic instruments and overhead cymbals, to name just a few.

Features

* Large Diaphragm Studio Condenser
* 1.1” Capsule with 3-micron Gold Sputtered Diaphragm
* Switchable Hi-pass Filter, 12dB per octave at 100 Hz
* Switchable 10 dB PAD for handling signals with high SPL’s
* Smooth and transparent sound reproduction
* Cardioid pick-up pattern
* 36-52 Volt Phantom Power operation
* Internal Shock-mount
* Extended frequency response
* Solid Die Cast construction
* Swivel Stand Mount and Carry Case included
 
of the ones you mentioned AT 3035.

I would also say check out Mxl V67g, and studio projects B1.
 
out of the three you mentioned, definitely go with the AT3035. i've had very good personal experiences with that mic. but i do recommend that you check out more mics before you decide to purchase.
 
Big Kenny said:
Why did you pick those?

everybody i prety much know recomended those for the money i'm going to be spending.. if anybody got anything else in mind i can cop at sam ash for 200. let me know please, it will help me out alot.
 
i don't like samson mics and i just heard wave files of a friend who recorded vocal stuff with a 4035 (if im correct) and it sounded real nice

AT has a decent 'name', and especially that model is nice,
i wouldnd't doubt too hard, forget about samson
 
Why Samash? Get a CAD M179 ora Marshall V67 or a Studio Projects C1. I recommend the CAD but I like a clean signal on vox, the Marshall and SP have a little "color" to them, not a bad thing, in fact it can sound very good I just prefer flat so I can work with eq and compression to get what I'm after.
 
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