Gear_Junky said:
That's interesting info. You'd think most drummers care about their sound, but I only know 2 and their drums sound terrible! I drum myself and I have a simpler kit, but it's tuned and sounds better.
Also the other musicians amps. It's true, the settings are different for recording (usually all flat) then when they play live and not all of them may understand this.
Turns out a friend of mine is almost done building his new house and he wanted to have a studio there and has the whole basement for it. Also, they're professional builders, so it would be no problem to build and soundproof a control room and vocal/instrument booths, etc. I'm going to make him an offer.
Are there any legal problems with running a commercial studio from a residential house?
I'm a drummer, and almost every drummer I know is tone deaf. It bugs the hell out of me when I hear their cardboard box sounding drumkits. I like the drums to SING man! Tune those things to specific notes! I use 3 toms (15" Rack, 18" & 20" Floors) and I tune them 1 octave above the shells note. (So I tune them to pitches that would be similar to a 13", 16" and 18" really)
What I mean by this, is most guys would tune to the note that corresponds to the shell's fundamental note, just past the wrinkles. So, I tune to the note that's in the medium tension range, so that there's good stick rebound.
It depends upon the local zoning.
You COULD get the business license as an Independent Engineer/PRODUCER, and say nothing to them about recording bands, or providing the actual recording service.
Just have a little office in case they come to check.
Tell them when the bands go to record, that they hire you to actually mix the music for them.
Then, If you run an add somewhere-you only put a phone number, and maybe an E-mail contact-but no address.
Did you by chance play in the School band?
Just wondering because the majority of guys that I know had no training in School, while I went to a School, where The Music Instructor was big on Symphonic/Orchestral music; the Drummers/Percussionists had to learn to read music, and think of tuning drums to specified notes-as if they were a set of Tymps .
Tim