Interesting article Pratt.
(No point here)
It's their record, so they CAN do whatever they want, BUT I don't understand why they used a producer if they REALLY wanted to be "Different". It seems like saying "We want a great recording of a bad recording technique so we can feel artistic" That just doesn't wash with me very well. It MIGHT have been cool as hell if they used a bunch mental patients that once owned a four track or people that simply had no clue what things could sound like to produce and engineer. (Hell, I was availible and fit the criteria!)
To me THAT would have been much more interesting or perhaps have "Artistic integrity" (If there is such a thing) instead of a "Real" producer getting crappy sounds and doing contrived bunk edits in pro tools while likely sitting around saying "It's a damn shame you guys already did an album called Garage days revisited !"
Maybe I'm wrong, but can you ever really set out to be "Low Fi" with an expensive console and an experienced producer, then expect it to work? Can you even create "Low Fi" or is it a side effect? Can you put Low Fi and Pro Tools in the same sentence seriously? I just don't get it.
Like I said, It IS their record, so God bless'em they can do whatever they want, but personally I wish they'd quit fucking around and work on the record we know they can make and the one they SHOULD know people want... If times just aren't the same or they are too wealthy, well fed or sober to remember what made "Kill 'em all" awesome, then fuck it, hang it up or form a new band or SOMETHING.
