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Captain Sea Boots
I have been reading Bob Katz's book "Mastering Audio-The Art and the Science" a lot lately. First off, it is a wonderful book. Here's my question. In chapter 17, he says "One of the first tricks that mix engineers learn is to put reverberation in the opposite channel from the source." How do you do this? I guess its a way for the reverb to not be masked by the transients and "absorbed" into the direct sound. Since I record in a crappy room, I usually add artificial reverb if I need it. Maybe I'm just dumb, but I can't figure out how to isolate just the reverberation and pan that.