Some questions about building an electret unit...

mattamatta

New member
I posted this on harmony central forums too, but I just wanted to put it here also to try and reach more people, because I expect only a very small percentage of the people who read it to offer advice....:

Hey guys, I'm seriously considering building an electret-based condenser.... this article here (which I'd seen before and thought about, but now it'd actually like to do it) got me wanting to do it:

http://www.prosoundweb.com/recordin...dmic_16_1.shtml

I dont like that that one has to have a batttery supply, so I'd be using a phantom-powered design based on the "Better electret microphone phantom powering circuit" most of the way down on this page:

http://www.hut.fi/Misc/Electronics/...e_powering.html

All the resistors would be 1% metal film resistors.... What is a good kind of high grade cap to use? I've been looking for film type ones, and having a hard time finding them that can get to 10uF... I fo und some metalyzed polyeser/polypropelene film caps that are 5uF, so I could run 2 in parallel, but they cost over 6 bucks a piece.... if that's what I'm going to have to do to get a good grade one, I'd be willing to, but I'd like to be sure that what I'm trying to do will even work before spending so much money! I'd prefer to use the best components I can reasonably get though.


There are some things I'm wondering about though, cuz I have some knowlege of electronics (I'm studying electrical engineering at cal poly, but I'm just a 2nd year, so I've taken hardly any EE classes, mostly calculus and physics.... lots of it)...

The 2k2 resistors biasing the capsule... it says that they should be as closely matched as possible to achieve optimum bias. I was thinking I could use trim pots in place of fixed resistors, to manually get them closer than even 1%. Would this be beneficial? Mainly I'm concerned that I might not be able to have as high a quality of trimpot. It seems to me that that resistor isn't really carrying the signal at all, but since it's biasing the capsule (cheap electret, the one reccomended in the first article, and possibly another with the same specs, I plan to make modular interchangeable capsules), I'd think that noise from a lesser quality resistor could still find it's way into the signal chain by creating impurities in the bias entering the capsule's internal electronics.... If it probably wouldn't make much difference, I might as well just go with fixed resistors.

Also, I was thinking about doing the same thing to make a variable bias for the two PNP transistors. It said they'd ideally be selected for closely matched gain, and I dont really have the option of picking through a bunch, nor do I have a suitable transistor tester, so I was thinking swapping some other R's for trimpots would make that adjustable.... but t hose would be more critical to the signal chain? Anybody have any advice/knowledge of such thigns / care to even think about?

Also, the cap in parallel with the zener, the page says should be a tantalum... I read on another site that I have more faith in, that the author of that site finds tantalum's to be the least reliable of all, and avoids them at all costs. Would I be able to swap this for a similarly specced electrolytic cap?

And in terms of the transistor... it lists the BC479 as an example of a model to use... Basically I just want to make sure I get a nice quality, low noise, great sounding, PNP transistor that appears will be running on 36V supply rails (is that because the zener draws off 12V from the 48V phantom voltage?) I dont want to skimp on the transistor.... I mean, a couple bucks for a super expensive transistor is nothing for one or two mics... Why put all the effort and use cheap components....

Finally, this should work right? So that schematic is pretty much complete, and the ground hot and cold outs will go right to my xlr jack? The one on the prosooundweb article is MUCH simpler, but I'd really prefer to put the extra time money and effort into making it phantom powered, and a true balanced design.... That would be much more rewarding.

FWIW, so far I think I'll try to make a mic body out of metal tubing.... I pucture a screw on end cap, with a big hole drilled in it, filed smooth, and a metal screen mounted inside. If I actually make this project happen, I'll surely do a writeup on it, sort of a step by step illustration of what I did, try to get pix and stuff, and put it up somewhere to share with you guys!


I know most of you guys out there either have no idea what I'm talking about, or just dont care, but I'm hoping there's somebody out there with knowledge of such things that can help me out, cuz I'd really enjoy producing such a thing.

Thanks for any info anyone has! I know it's quite a long post, but I'd love any advice anybody has to offer, that's even remotely related to this.... or maybe even if it's completely unrelated but usefull advice!
 
You really need to start hanging out here:

http://www.prodigy-pro.com/forum/viewforum.php?f=2

But in general response to some of your questions, tantalum caps are usually used for circuits that are outside of audio paths, film caps get really big for large values, so usually high-quality electrolytics caps like Nichicon UPWs are used instead . . . but seriously ask your questions at the Lab. Those guys know what the hell they are talking about. If you search you'll probably find your answers.
 
matt . look for one per cent resistors with low thermal noise.
and capacitors with low tcr. if using electrolytics use ones with low
leakage specification if you can.
dont get too hung up on this though.
most mics have more self noise anyway.
also if you are nice to some manufacturers they will send you free samples
of their resistors and caps to try if you tell them what values to look for.
also search under google for low noise resistor or low tcr capacitor.
yageo for example have metal film resistors.
 
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