This is one hell of a good song, class A from the heart, sincere writing and performing. I love the distant harp at the end, I agree with MC Gitarz, take some verb off the harp early on, and then you can really generate the distance in the harp outro.
I think that every time you lay the tracks for this tune it's going to get just a tiny bit better each time, and I encourage you to keep working on just laying the tracks over and over, just let this one out easy, your heart does all the work here.
I think maybe the tempo could be a tiny, tiny touch ... slower. As if you are in shock
I think you are a subtle cross between Willie and Coe ... the subtle part is supposed to be a funny
.
Really, you have a vocal that 'works'.
And you have mixed the vocal ON TOP, and I APPRECIATE YOU !
For a relatively new poster to post a, (real), LEAD VOCAL is very refreshing.
Every nuance of your sincere, highly accented, americana soaked kawntree thickness is 'magic', when the vocal is mixed strongly out front.
If you would have buried your vocal I really would have thought it sucked, but the character of your lead vocal is untouchable when it is proudly and bravely presented out front.
I also agree with HevyD, but I really think it's a matter of note selection more than the key of the harp, (and I understand harp selection is critical there), but you might experiment with a few different harps ... No matter what, keep the harp simple like you have it.
You and Hevy should be chatting, I hope a collab gets to brewing between you two.
Now, there are some actual words that are very difficult to understand and I encourage to you study these places and concentrate on letting go a bit there, and let those words out a bit easier. Put your suit and tie on just for those words.
'All she said was ? has left home'
so as I'm really intensely listening to the lyrics now, as I listen over and over, (and remember we are not the normal listener here, most are going to have a lot of trouble with the places I have trouble with) ...
'to dodge the dog and the memory of what went wrong'
=
'the dodge the dog and the memory of what went wrong'
and the next place I have trouble is a critical spot ... it's in your secondary lyric hook ...
'to drive this hurt away would take a ?'
for the life of me I can't understand that word ...
'to drive this hurt away would take a hawk ?'
DO NOT CHANGE THE CHANNEL !!!
Stick around on this bbs please.
WELCOME !
By the way, if this is a true song, and you had a good woman, and screwed up and lost her ... welcome to the club
I've been developing some fiddle licks for this, some fills and a duet with the harp in the open section ... I'll send it your way one day soon, I"m just laying tracks to the MP3.
If you get anything new on this, please PM me, so I can get it from you.
I like this song.