Well, after much construction, homosote, sound sealant, lead tape, sheetrock and mess, my home studio is finally constructed. It is a basement studio: 15 X 30 live room, 15 X 8 control room and three smaller isolation booths. I've been recording my own band and others for a while on a computer using cakewalk, layla, mackie 1604, etc, etc.
So I'm about to take a large leap into buying a new setup to go with the new space in hopes of recording more bands, mostly 4 or 5 piece rock bands. The following is my initial plan on new gear followed by the questions that I still have lingering. (some questions my be stupid so bear with me.
My plan right now is to go with the Mackie D8B, loaded with cards and plug-ins and 24/96 hard disk recorder.
I'm hoping to keep the process simple but not lose any benefits I currently have with various plug ins with cakewalk, ie; sound forge, antares, waves, etc etc. Although I hate the fact that although I have a great computer in terms of speed ram etc., you do hit your glitches, computer freezes and limitations for multiple real time effects. I hope to do my mixing on the d8b with limited outboard gear.
Questions:
Will I lose any ability to get the sounds I'm used to with the various programs listed above? I noticed owners of D8B's will still use a protools system, is that necessary?, can't the D8B loaded be sufficient for mixdown and mastering?
I noticed the D8B has only 12 actual XLR inputs. My drum mics alone are 12 (large kit with factory installed mics in each drum and I like to use 3 on the bass drum (one inside, one in front and one 5 feet away) I know its overkill but it gives an awesome bass drum sound mix. Is there any problem with xlr mic cable to 1/4" trs into the board?
My plan is to purchase a snake box with the snake going through the wall into the control room, xlr to 1/4" trs. Any other ways of doing this? Most snake boxes I see are 100' long and seem to be more for live sound than recording. I thought about getting an xlr patchbay attached to the outside wall of the control room but that seems like overkill not to mention the sound isolation issues it presents.
Because I record myself and don't like to "erase" anything I've done, from an ongoing cost standpoint, for tape or backup drives, should I be looking at a tape based recorder instead?
My final question, in hopes not to open up a huge can of worms: Should I be looking seriously at other mixers that would be better for my purposes? ie; ramsa, spirit etc. or should I just expand on my analog system being that I already have a 1604?
Thanks Jim
So I'm about to take a large leap into buying a new setup to go with the new space in hopes of recording more bands, mostly 4 or 5 piece rock bands. The following is my initial plan on new gear followed by the questions that I still have lingering. (some questions my be stupid so bear with me.
My plan right now is to go with the Mackie D8B, loaded with cards and plug-ins and 24/96 hard disk recorder.
I'm hoping to keep the process simple but not lose any benefits I currently have with various plug ins with cakewalk, ie; sound forge, antares, waves, etc etc. Although I hate the fact that although I have a great computer in terms of speed ram etc., you do hit your glitches, computer freezes and limitations for multiple real time effects. I hope to do my mixing on the d8b with limited outboard gear.
Questions:
Will I lose any ability to get the sounds I'm used to with the various programs listed above? I noticed owners of D8B's will still use a protools system, is that necessary?, can't the D8B loaded be sufficient for mixdown and mastering?
I noticed the D8B has only 12 actual XLR inputs. My drum mics alone are 12 (large kit with factory installed mics in each drum and I like to use 3 on the bass drum (one inside, one in front and one 5 feet away) I know its overkill but it gives an awesome bass drum sound mix. Is there any problem with xlr mic cable to 1/4" trs into the board?
My plan is to purchase a snake box with the snake going through the wall into the control room, xlr to 1/4" trs. Any other ways of doing this? Most snake boxes I see are 100' long and seem to be more for live sound than recording. I thought about getting an xlr patchbay attached to the outside wall of the control room but that seems like overkill not to mention the sound isolation issues it presents.
Because I record myself and don't like to "erase" anything I've done, from an ongoing cost standpoint, for tape or backup drives, should I be looking at a tape based recorder instead?
My final question, in hopes not to open up a huge can of worms: Should I be looking seriously at other mixers that would be better for my purposes? ie; ramsa, spirit etc. or should I just expand on my analog system being that I already have a 1604?
Thanks Jim