
mark4man
MoonMix Studios
Well...here's an interesting phenomenon.
Ever since I've been recording @24-Bit/96Khz (&...I'm not certain that's related, but...), whenever I record an FX loop track with my effects processor (Lexicon MPX-500)...
...the timeline location of the wet track appears ahead of the source track...by about 4 ppq's ! (on a 120 Ticks per Quarter Note scale.)
What in tarnation ?
The routing is: SONAR (source track) Layla24 3/4 Analog Out > MPX-500 Analog In > Lexicon FX applied > MPX-500 Analog Out > SONAR (recorded track) Layla24 3/4 Analog In.
Check out the .jpg screen shot of the two tracks in question, from the SONAR project:
http://members.bellatlantic.net/~vze3yjbu/TrackFX.jpg
I realize it is impossible (within the realm of the physical sciences) to actually record the secondary track prior to the primary track playback...
which means that SONAR must be writing the track ahead of it's markers?
Anyone experience this before? Any ideas?
Thanks,
mark4man
Ever since I've been recording @24-Bit/96Khz (&...I'm not certain that's related, but...), whenever I record an FX loop track with my effects processor (Lexicon MPX-500)...
...the timeline location of the wet track appears ahead of the source track...by about 4 ppq's ! (on a 120 Ticks per Quarter Note scale.)
What in tarnation ?
The routing is: SONAR (source track) Layla24 3/4 Analog Out > MPX-500 Analog In > Lexicon FX applied > MPX-500 Analog Out > SONAR (recorded track) Layla24 3/4 Analog In.
Check out the .jpg screen shot of the two tracks in question, from the SONAR project:
http://members.bellatlantic.net/~vze3yjbu/TrackFX.jpg
I realize it is impossible (within the realm of the physical sciences) to actually record the secondary track prior to the primary track playback...
which means that SONAR must be writing the track ahead of it's markers?
Anyone experience this before? Any ideas?
Thanks,
mark4man