R
RAMI
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I think they got the same sound from rubbing Yoko with a wet fingertip.the ones you get when you rub the rim of a wineglass with a wet fingertip.

I think they got the same sound from rubbing Yoko with a wet fingertip.the ones you get when you rub the rim of a wineglass with a wet fingertip.
yeah .... tastes on the forums are pretty standardized nowadays as to what people think a recording should be.Possibly true.
That song, like many of the period, had the "psychadelic awakening" vibe, so they certainly fall into a pretty specific slot, no different than say...Doo-wop music.
Though I think "Tomorrow Never Knows" might be cool today, as there is a lot of retro appeal. Maybe done without as much "trippy" flavor, and with more of a Rock edge....the song's message could fit into a lot of time periods.
Did you know that London is full of seagulls where there's no sea at all. They've developed a taste for the high life.Did you know that seagulls in Australia make a different noise to UK seagulls?
Down on holiday at a place called Camber Sands over the same weekend that Serena Williams blitzed her way to victory at Wimbledon and Andy Murray lost to old Roger, I noticed that there were two particular kinds of seagulls. They each had very distinctive shapes and one kind had a wicked looking crooked beak. They were more into fish than Beatles though........GrimTraveller will know the exact breed
Stan, Lucy, Georgio, Arturo and Schmebuloch. My sources are impeccable.and possibly names of all the seagulls involved....
They got there late and the song was already finished ! And the Stones didn't do backing vocals in the spring of '66. So they flew off to Birmingham and made noises for the mellotron instead.........Are you sure they aren't French seagulls that flew across the English Channel just for this one recording session?
In the anthology book, they talk alot about it but they don't once mention what any of the sounds actually are, only that they were superimposed over and over on themselves and distorted, reversed, sped up and slowed down. George Harrison says "they were put through the board onto a different fader and mixed. Those seagulls are just weird noises". Paul McCartney says "I always think of seagulls when I hear it. I used to get alot of seagulls in my loops; a speeded up shout, hah ha, goes squawk squawk." In his brilliant book "Revolution in the head", the late Ian McDonald says the seagull sound was a loop of McCartney laughing. But George Martin reckons it's the one Beatle song that could never be reproduced exactly the same because it was so random with different sounds coming in at different times, speeds, lengths, volumes and with no rhyme nor reason so to the OP - forget it !They go into pretty good detail about the recording of "Tomorrow...." in the Anthology.
I've been doing the tours of secondary schools lately as my son moves up in September so I've been a bit scarce. Also, I spent two weeks on planet mellotron.LOL... wondered when you'd find this one GT!
And when they, ahem, 'spot' you, you stay spotted !Incidentally, English seagulls are about twice the size of the Australian ones... at least the ones I've seen at places like Brighton etc.... they're monsters. Wouldn't want to fight them over a chip...![]()
Incidentally, English seagulls are about twice the size of the Australian ones... at least the ones I've seen at places like Brighton etc.... they're monsters. Wouldn't want to fight them over a chip...![]()