Recording with stereo tracks

  • Thread starter Thread starter Sifunkle
  • Start date Start date
A "stereo track" IS simply 2 mono tracks linked together. Every stereo track can be split up into 2 mono tracks. Some (most) DAW save space by giving you "stereo tracks". But it's really just the same thing as 2 mono tracks linked together.

My TASACM 2488 doesn't even have stereo tracks, but Tracks 13/14, 15/16, 17/18. 19/20, 21/22, and 23/24 are all linked together in pairs so that one fader controls both tracks. But I can still put a mono track on 13 and another mono track on 14. To record overheads, for example, I still have to assign one input to 13, and the other input to 14. Is that a "stereo track" or "2 mono tracks"? Pretty much the same thing really.
 
A "stereo track" IS simply 2 mono tracks linked together. Every stereo track can be split up into 2 mono tracks.

To record overheads, for example, I still have to assign one input to 13, and the other input to 14. Is that a "stereo track" or "2 mono tracks"? Pretty much the same thing really.
I think that's what's confusing. When the DAW calls it a stereo track, it gives the impression of being something other. Other, that is, than two mono tracks that are linked together. That was one of the things I found confusing with the MRS1266 and I used to wonder what would happen if I recorded two different instruments to the stereo track.
 
Exactly.

In my early days of computer recording, I used Cool Edit 2000 for a while. This limited me to only 4 tracks...but they could be stereo or mono. I used to use stereo tracks to record two separate things sometimes to up my channel count--I had to do silly workrounds where I wanted, for example, different EQ settings but it COULD be done.
 
I'll keep pushing that the key is simply getting clear content determins stereo or mono sound, and the linking or not of the two paths is a soft or hardware thing.
Always start there.
 
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