
barefoot
barefootsound.com
I'm helping a friend record a few pieces of experimental classical music. He has sequenced the piano accompaniments into software which he tells me has outstanding sample based piano sounds. I haven't heard it yet.
Now he wants to record himself playing the violin parts along with the sequenced piano. He's and outstanding violinist and used to play for the San Francisco Symphony. He says it's no problem for him play his parts in whatever method makes best recording sense. The main thing is, he wants the final mix to sound as natural as possible, like he and a pianist were playing in a small recital hall.
So how do you think I should go about this?
First of all I need advice on microphones and placement for recording the violin.
Then I have the problem of how to mix the live violin with the synth piano and make it all sound live. Would I be better off having him play along with the synth coming out of a nice set of speakers, or should I record them separately and try to create the space electronically?
Thanks,
barefoot
Now he wants to record himself playing the violin parts along with the sequenced piano. He's and outstanding violinist and used to play for the San Francisco Symphony. He says it's no problem for him play his parts in whatever method makes best recording sense. The main thing is, he wants the final mix to sound as natural as possible, like he and a pianist were playing in a small recital hall.
So how do you think I should go about this?
First of all I need advice on microphones and placement for recording the violin.
Then I have the problem of how to mix the live violin with the synth piano and make it all sound live. Would I be better off having him play along with the synth coming out of a nice set of speakers, or should I record them separately and try to create the space electronically?
Thanks,
barefoot
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