hello, how they were recording in the old days?
i mean there were no powerful PCs and software.
what gear they used?
The 90's are not "the old days" that's pretty modern.
I started recording in the 1970's with a Tandberg 3300X half-track open reel machine.
and a pair of Beyer M67N microphones.
For portable work, I later purchased a Nakamichi 550 cassette (the best cassette portable around).
Later I upgraded the open-reel to a Teac A7300-2T which could take 10.5" NAB reels
I wend digital in 1983 when I bought my Sony PCM-F1 system
This was CD quality recording at 16/44.1. Editing was a problem though until HHB bought out the CLUE editing system.
In the 1990's I went over to DAT and bought a pair of Fostex-10 machines
with the D-10 you could edit with two machines using the instant-start mode.
I also obtained a Tascam DA-45HR 24-bit DAT which ran the tape at double speed:
The first 24/96 capable portable was
the Fostex FR-2 which I bought as soon as it came out (after writing a review for a broadcast magazine)
More recently I sold the Fostex FR-2 and upgraded to the Nagra VI which is my current recorder.
The Nagra VI can record 8-tracks at 24/96 and has about the best mic. pres and ADC found in a portable machine.
I also now run AES42 digital mics.
I don't trust a computer for a live recording session and have always recorded on a dedicated recorder.
Editing
In the early days it was razor-blade editing with analogue tape. Then It was PCM-F1 edited with CLUE, though I was the first person (that I know of, it was written up on "Music Week" at the time) to produce an album by digital overdubbing in stereo using a PCM-F1 and two transports to build up the tracks - then DAT, butt-edited with two machines.
In the 1990's (getting modern now) I bought a PC and started editing with "Fast Eddie". I moved over to "Red Roaster" to burn CDs when that came out (Red Roaster was the first program that enabled you to put the track ID where you wanted within a track). That later morphed into Samplitude (which I then used) and now I edit on Samplitude's big brother - Sequoia.
With the exception of the FR-2, I still have all those old recorders.
So, it's been a long journey; but my aim all the time has been to record high quality and not to compromise. SO my money always went into buying the best mics possible rather than lots of "toys". Many of my mics now have a second-hand value far in excess of what I paid for them at the time, so it was a good investment.