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GRADSTANG
New member
FROM WHAT ANGLE IS IT BEST TO RECORD A SNARE DRUM FROM THE BOTTOM OR THE SIDE OR WHAT
Track Rat
Just Your Average Sized Member
Generally speaking, the top is first choice, anywhere from a couple of fingers width in from the rim, a couple of finger widths high on about a 30 degree angle. Or my fav, 6" out from the edge, around 3" from a line even with the top of the drum aiming at the rim/top. Aiming at the side of the shell an inch or two away can be cool. Experiment.
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Ian Morrison
New member
if you use to the bottom too.
if you mic the batter and then you mic from underneath, make sure you reverse the phase on it. Snares can sound really nice with two mics. Use a 4:1 compression ratio too and play with the attack and release settings to get the sound you're looking for.
Once you have it "dialed in" and your level is set, you can use EQ to make it "jump" out of the mix and have it where you want it with all your other instruments.. but everything trackrat said about micing from the top is right on.
Sometimes you can place say a shure 57 closer to the 8'oclock posistion to pick up more ghost notes, though if you miced from the bottom you'd get so many ghost notes you could raise the dead.
if you mic the batter and then you mic from underneath, make sure you reverse the phase on it. Snares can sound really nice with two mics. Use a 4:1 compression ratio too and play with the attack and release settings to get the sound you're looking for.
Once you have it "dialed in" and your level is set, you can use EQ to make it "jump" out of the mix and have it where you want it with all your other instruments.. but everything trackrat said about micing from the top is right on.
Sometimes you can place say a shure 57 closer to the 8'oclock posistion to pick up more ghost notes, though if you miced from the bottom you'd get so many ghost notes you could raise the dead.
RideTheCrash
Member
Question here, I have my mounted toms right in front of my snare on a stand so I don't really have mic access to it, suggestions? P.S. I REALLY don't want to have to move my toms to record.
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Prizmaxic
The Shizz
what about coming in from your hi-hat side
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theletterq
New member
It's actually usually preferred to come in from the high hat side to minimize high hat leakage unless you're not using overheads or something.
Track Rat
Just Your Average Sized Member
Also you might have to move some your toms so you CAN get a mic where you need one.
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GRADSTANG
New member
RECORDING THE BASS DRUM
WHEN RECORDING A BASS DRUM DO YOU MIKE IT FROM INSIDE THE DRUM OR DIRECTLY IN FRONT
WHEN RECORDING A BASS DRUM DO YOU MIKE IT FROM INSIDE THE DRUM OR DIRECTLY IN FRONT
Track Rat
Just Your Average Sized Member
I do both. A D-112 inside the kick and a GT AM-52 out about 3' in front of the kick.
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twonky
New member
I have had good luck pointing the mic at the shell of the drum about 2-4" away.
That way you can get in between the HH stand and the mounted tom.
That way you can get in between the HH stand and the mounted tom.
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theletterq
New member
Re: RECORDING THE BASS DRUM
Beta 52 inside about 6" from the batter head pointed at where the beater makes contact, but a little off axis.
GRADSTANG said:
Beta 52 inside about 6" from the batter head pointed at where the beater makes contact, but a little off axis.