Hello all, I am dipping into the realm of Amp micing as of now. I have never mic'ed a guitar cab and I'm kinda excited. Here's what I have:
a 1974 Fender Bassman Ten.
The 4, 10" Original Bass speakers were replaced with Eminence Loudspeakers before I bought the Amplifier. The man who owned it previously
was a guitarist and not a Bassist. It works out though because I don't own a bass. now on to the Guitar...
A Telecaster copy. Custom made from samick parts with a solid Ash body and active EMG pickups. 2 single pickup design one
bridge pickup and one neck pickup. 3 pos. switch and single tone control.
Ok, now that you see my signal chain I'll tell you about my input.
I have several mics to chose from:
A. 3 samson R21 Dynamic microphones
B. 2 Behreinger ECM 8000 condensors
C. 1 MXL V67 LD Condensor
I am perplexed as far as how I should go about in micing this beast. also, I should add that I am wanting to record both clean
(possibly chorused lead guitar) and distorted rhythm guitar tracks so I realize that there will be 2 or 3 different setups but i am
mainly interested in the distorted rhythm guitar micing. something like Matchbox 20 or Barenaked Ladies. This is my foremost concern.
I have attached pictures of my amp and the room it will be in. The room is relatively dead with a slight reverb to it.
The verb quickly decays but can be quite ringy as sustained pitches. blankets are available.
Room : 8' ceiling with angled corners to wall, 15' wide, 19' long.
The windscreen on the R21 has been removed.
a 1974 Fender Bassman Ten.
The 4, 10" Original Bass speakers were replaced with Eminence Loudspeakers before I bought the Amplifier. The man who owned it previously
was a guitarist and not a Bassist. It works out though because I don't own a bass. now on to the Guitar...
A Telecaster copy. Custom made from samick parts with a solid Ash body and active EMG pickups. 2 single pickup design one
bridge pickup and one neck pickup. 3 pos. switch and single tone control.
Ok, now that you see my signal chain I'll tell you about my input.
I have several mics to chose from:
A. 3 samson R21 Dynamic microphones
B. 2 Behreinger ECM 8000 condensors
C. 1 MXL V67 LD Condensor
I am perplexed as far as how I should go about in micing this beast. also, I should add that I am wanting to record both clean
(possibly chorused lead guitar) and distorted rhythm guitar tracks so I realize that there will be 2 or 3 different setups but i am
mainly interested in the distorted rhythm guitar micing. something like Matchbox 20 or Barenaked Ladies. This is my foremost concern.
I have attached pictures of my amp and the room it will be in. The room is relatively dead with a slight reverb to it.
The verb quickly decays but can be quite ringy as sustained pitches. blankets are available.
Room : 8' ceiling with angled corners to wall, 15' wide, 19' long.
The windscreen on the R21 has been removed.