T
TamirE
New member
guitar players usually don't like changes. I once had a producer in a band that totally hated the POD and actually preferred my sound using cheap boss pedals through an old (probably not maintained right) peavey 212 from the 80s (with the green and silver colors, a solid-state amp i REALLY dislike). I really sounded bad through that amp. but one time i tried playing through a Marshall halfstack in the same room (jcm900 i think, not my favourite exactly) and it sounded totally amazing there.
I really like using the POD live, but it sometimes can be quite annoying to tweak the amp right so you'll get the right tone from it (that producer didn't know much about the POD either, and didn't understand why i wanted to try using it through the power-in of the peavey... baaaaaaaaaaaaaaaaah). even when i use the POD live i need a real amp... there's something about how a good amp just distributes the sound in the space that P.A. monitors usually can't imitate - not even with an amp modeller.
too bad i didn't try using the P.A. there instead of that old peavey... but again , some producers really don't want to try anything new. they have their "winning" formula that you must work with...
I really like using the POD live, but it sometimes can be quite annoying to tweak the amp right so you'll get the right tone from it (that producer didn't know much about the POD either, and didn't understand why i wanted to try using it through the power-in of the peavey... baaaaaaaaaaaaaaaaah). even when i use the POD live i need a real amp... there's something about how a good amp just distributes the sound in the space that P.A. monitors usually can't imitate - not even with an amp modeller.
too bad i didn't try using the P.A. there instead of that old peavey... but again , some producers really don't want to try anything new. they have their "winning" formula that you must work with...
