Oh yeah, I purposely enhanced the sub lows to get that rumble - imo its elements like a ridiculous amount of sub bass that emphasize the juvenile-ish sound of the band's writing and lyrics. Almost like "we did this wrong on purpose, 'cause we like insane amounts of bass".
Background story is a bunch of cool high school kids walked into my studio and rocked out! The last studio did a TERRIBLE job of recording them, they were practically in tears of joy by the end of our session.
Here's pictures of the whole thing: facebook.com/media/set/?set=a.292983444084331.61876.144676878914989&type=3
Equipment used includes:
Zed R-16 (every mic was run into a Zed R-16 preamp, no off-board used. Zed R-16 preamps are actually awesome though.)
Sm57 for all drums (only mic'd tops. I knew I was replacing the snare off the bat, so no bottom mic necessary)
Some crappy Nady pencil overheads... I wish I had NT5s haha. Whatever, they work!
And a couple cheap LDC for room mics. One's an ART M-three, the other is some cheap Apex thing.
Sm7B for all vocals. <3
You want to get good at mixing? Record everything with that ^.
I replaced the snare with a sample of a pearl masters snare that my friend made. If anyone wants the DL link I can get it to 'em. It's free. For rolls I blended in the real microphone, gradually switching to the sampled snare as they built up.
I replaced the toms with my "space wolf" toms. You can get em off my site for $5 if you want em. SignalsAudio.com.
Replaced the kick with my JayMac kick sample.
Any more questions?
