M
mikeh
New member
I recently picked up 3- Radio Shack 33-3032 "instrument mics". Darrin h2000 had posted that they were on sale ($29.99) and Harvey Gerst had given them a thumbs up.
I've got several SM57's and SM58's (mostly for stage applications) but I need low profile mics for my percussion set up ( not much room between the congas and bongos) - and the 33-3032's are very small mics.
I just completed an A/B/C with the 33-3032, a CAD NDM10 (low cost but decent drum mic) and an old standard SM57.
Useing each mic I recorded congas, bongos, a 3"x13" maple snare, a 6"x14" birch snare and 10", 12" & 14" birch toms (fusion sizes) using traditional close mic technique.
The mics ran though a Focusrite pre into Layla (no special reason for the Focusrite, I just happened to have it patched into Layla at the time.
The $30 Radio Shack mic held it's own very well indeed - although it was slightly brighter than the other two mics. It sounded good on the congas & bongos and on the 10" and 12" toms. I did not like it on the 14" tom (it seemd to lack low end) and I doubt it would be the best mic for larger toms or for a kick drum. I did not like it on the small snare (it was better on the large snare - but not good enough) - perhaps the brightness of the mic doesn't work well with the sharp attack of a snare drum.
The 33-3032 does seem a little frail and although in a studio it may be OK, I have some concern about stage application (I'll find out this weekend). Also the drum rim clip looks like it could wear out pretty fast.
So for a tom/percussion mic in a safe studio environment it could be a great value (but leave it clipped on the drum). I was pleasantly surprised - and if I trash them on stage this weekend, I plan to buy more for the studio (at $30 I may buy several for stage even if I do trash them).
Thanks Darrin h2000 - and as always thanks to Harvey!!!
I've got several SM57's and SM58's (mostly for stage applications) but I need low profile mics for my percussion set up ( not much room between the congas and bongos) - and the 33-3032's are very small mics.
I just completed an A/B/C with the 33-3032, a CAD NDM10 (low cost but decent drum mic) and an old standard SM57.
Useing each mic I recorded congas, bongos, a 3"x13" maple snare, a 6"x14" birch snare and 10", 12" & 14" birch toms (fusion sizes) using traditional close mic technique.
The mics ran though a Focusrite pre into Layla (no special reason for the Focusrite, I just happened to have it patched into Layla at the time.
The $30 Radio Shack mic held it's own very well indeed - although it was slightly brighter than the other two mics. It sounded good on the congas & bongos and on the 10" and 12" toms. I did not like it on the 14" tom (it seemd to lack low end) and I doubt it would be the best mic for larger toms or for a kick drum. I did not like it on the small snare (it was better on the large snare - but not good enough) - perhaps the brightness of the mic doesn't work well with the sharp attack of a snare drum.
The 33-3032 does seem a little frail and although in a studio it may be OK, I have some concern about stage application (I'll find out this weekend). Also the drum rim clip looks like it could wear out pretty fast.
So for a tom/percussion mic in a safe studio environment it could be a great value (but leave it clipped on the drum). I was pleasantly surprised - and if I trash them on stage this weekend, I plan to buy more for the studio (at $30 I may buy several for stage even if I do trash them).
Thanks Darrin h2000 - and as always thanks to Harvey!!!