Pursuing a career in production - opinions please

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Yad

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Hey everyone. Im 21 and have a strong interest in sound production/engineering. I have learned what I know so far by reading articles and browsing web sites. I've looked into a recording arts program at The Art Institute. Here are my questions. How tough is it to make a decent living in the recording industry? What can I realistically expect in terms of wages and working conditons? What other ways can I get training for this? This will help me decide whether to pursue it as a career or keep it as a hobby.

Thanx
 
You ask a tough question and I am not the best person to answer. When other's have posted this question the response has generally been that a career in Amway sales would be more lucrative.

I do not understand what 'a strong interest' translates to. My understanding is that to excel at this a solid background in electronic engineering is needed, and likewise a love and knowledge of music. I absolutely would suggest that you go to your potential employer(s) and try to get hired knowing absolutely nothing. At the very least they would point you to where you would get the most value for your education dollar. I think your best bet for employment would be in L.A. or N.Y., but for all I know Omaha is the freaking recording captial of the world.

From what I have been able to learn, unless you are at the top of the game, wages are inadequate, and working conditions are do whatever it takes to complete the project. I wouldn't expect 9-to-5.

You may find this of interest.... http://recpit.prosoundweb.com/viewtopic.php?t=10118
 
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Thanks for the reply. That is exactly the kind of input i needed. And yes i should of put "passion" instead of strong interest because that is what it is. lol. I think I just might go down to a local studio and see if they can answer any questions as well. But they might not have that kinda time. Thanks for the read by the way.
 
Studio jobs are very rare and next to impossible to get unless you know the right people. Live production jobs aren't that hard to get and you get paid around $5-10/hr to start depending on location and skills. After 10-20 years you can make upwards of $25/hour and still have no benefits or insurance.

Most studio engineers own their own studios. If you get lucky enough to do some demos or albums that break it big you can start to develop a rep and make some real money. Most of the mid level producer/engineers with solid credits still only make about $300/day and a few percentage points of the projects.
 
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