brandondrury said:
I agree that many musicians take their recording and music very very seriously. I know. I'm usually booked 2 monthes ahead. I've been doing the best I can with limited resources for a long time. I'm getting better and the clients are slowly getting happier. I must admit that most recording forums are eager to help. The tone on this forum is obviously different. Hell, the guys with platinum records at PSW were way more constructive in their criticisms.
I've read quite a few of your posts to Harvey's and Fletcher's forums, although I've never posted there. I agree that you've gotten some great responses to your posts by very knowledgeable and authorative voices in the biz. I've enjoyed reading that stuff.
Even faced with some harsh criticism in this thread, your tone in these posts is fairly laid back.
You linked us to a shootout designed as The Dumb Ass Home Recordists Guide to Selecting a Preamp for Crappy Playing.
OK, maybe there's nothing wrong with that. I'm not entirely sure where you're coming from, so here we have something that might be more of an internet phenomenon than anything. Body language, tone of voice, eyebrows... sometimes these things don't translate well into the text-only world. Is this humour or an attitude? I honestly don't know. People will draw their own conclusions.
As for the preamp thing, you may have validated some peoples choices for going with less expensive gear. That's probably not such a bad thing, but if Dude never heard about gain hungry mics that really make the thing show its colours when you have to crank that volume thing up, what's the difference?
Possibly, none.
Possibly.
As to what can make a difference, it's all in the food chain.
Song
Performance
Guitar
Amp
Room acoustics
Mic positioning
Gain staging
Mic selection
Preamp
Recorder
In this imaginary chain, there's no outboard stuff which is probably another can of worms, but yeah, the preamp is pretty low on the chain. Maybe I'm wrong, but that's kind of how I look at it.
I've been wrong before.
sl