A
audiophilez
New member
I was wondering what is standard for micing. Should I put the mic before reverbs, effects, pitch correctors....? or after? does it depend on the situation? any help would be appriciated.
audiophilez said:Should I put the mic before reverbs, effects, pitch correctors....? or after?
Think before you talk grasshopper. When recording, the only thing to put the mic before is your lips. Then and only then will you hear the truth.audiophilez said:I was wondering what is standard for micing. Should I put the mic before reverbs, effects, pitch correctors....? or after? does it depend on the situation? any help would be appriciated.
fraserhutch said:Isn't it a sad commentary when a newb automatically considers pitch correction as part of the sighnal chain?
chessrock said:As if that weren't bad enough, that same newb considers it so vital that he actually puts it ahead of the microphone in the signal chain. Now that's a sad commentary, my friend.
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orksnork said:i would put the reverb first...then compress it, then the mic.

orksnork said:ive been recording bands for a few years in project studios...
and sometimes when a band is really shit, and i dont have them on an hourly rate (price for package or per song) i'll throw the pitch correction on it constantly...
i'll put auto-tune plug-in on....tweak it as best as i can and just let them ride with it...it'll sound better to them and it will get done.
i, of course, want to get better at my craft and provide bands with the best i can. some bands just are not worth the effort. if they need to rely on pitch correction....oh ill give it to them. and it always sounds like dick.
that being said, in response to the original question
i would put the reverb first...then compress it, then the mic.
audiophilez said:I am glad my question made for such humerous reading! I am not exactly new to this, Iv always recorded vocals preamped strait into what ever I am recording on. I have never really used effects other than a bad boss unit. I am quite thrilled however that you guys mention recording a clean vocal track with simply a preamp and using my outboard effects after its recorded. I record on to 1/2" tape->into protools so if I could keep the track I record on tape a clean vocal track and just add effects when trasferring to protools that would be great. I generally just always recorded plugging a mic strait into my digi 001 or tape machine, I will now bow my head and walk to the newbie section. as far as how possible it is to plug into effects before the preamp, I was referring to effect units that feature some sort of built in preamp or phantom power. Witch is indeed possible, though I now see is a silly idea. and as for me referring to pitch correcters as part of the "signal chain", I guess I should be thrown in newbie jail![]()