pretty bold snare sound there. Maybe some corn flower for thickening.
there are some passages with the clean lead gtr that just melt ya...just great..a little riff here and there. (ie.. the octave thingie at 1:05-1:07) If the entire track was like these gems, it'd be strickly insane. I like the delay/reverb/sound too on the guitar. The fuzz gtr was a good idea, but slightly missed the mark with the sound. You however, have really captured a kinda ambience that I really like....ahhhhh--reverb!!!!!
the underlying gtr parts are on the $$ to me. Nice pads, keys..etc. They work to add, definately and fill out...not as an instrument.
Since your taking liberties with this song...and for the good, imo...I'd let loose with the drum programming too...some rolls, percussion....whatever. Might as well update and improve on that too.
at 1:23...the measure just before the fuzz assult, (on beat 2 of the measure), the snare hit comes out of the left side...like the panning got screwed, just on that ONE hit. (same at 2:16..but this hit sounds in
stereo!)
something squirelly with the fade out...after the song ends, I hear what sounds like the tail end of a previous mix, but recorded over. This would be fixed by chopping the last two seconds of the song, which are just silence anyway..and contain this little smidgen of a sound.
There are some just absolutely beautiful sections in this song. If you beat yourself to death for 10 more years with this mix.....Seriously, one of the nicer renditions I've heard.
while rereading my post, listening again...and trying to figure out how to spell
"squirelly"
...it dawned on me. What really sounded good, was when the lead guitar played a chord, by the bridge sometimes...but had the fabulous sound, but played a rhythm part, vs the lead. Nice chordal lead passages(0:32, 1:50+... for example), is what I'm trying to say...but can't type into words...