Passive/Agressive mastering.......

  • Thread starter Thread starter Sigma9
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YOUR RIGHT PIPE! !

If you would have used David Gilmore, or Gary Moore, maybe even Satch or Vai, I would have read your post more openly.... Insted You picked Yukme, I liked this guy alot until someone I knew found out how much of a stuck up Ahole he was. Oh well, its not your fault Pipe, I am sorry....

Nice site Bear, can I get a link to something of your work please?

Hey stonepiano..... P E A C E !
 
Re: Need I remind some of you ...

TommyGun said:


Here's my attempt at starting this list:

1. Learn your equipment! You have no hope of recording/producing/mastering anything properly/decently if you don't.
2. Record your initial tracks seperately for the most control.
3. Learn about sound and how to manipluate it after the notes are played. (I guess you'd call this EQing?)
4. Learn about effects, including the notion of dry/wet and when to apply them. That is, should you apply them while playing the music or should you apply them during mixing/mastering? Or is both OK?
4. Watch your levels! High levels bleed sound and ruin the mix from the start. Low levels change the mood and may mislead the listener. Take you time here.
5. Don't be afraid to mess up. That's how you learn what not to do.

Fire away, all you mighty masters ...

A couple of these are excellent points (like "don't be afraid to mess up"). The rest are either ambiguous or I'm not sure I understand your meaning. But, unfortunately, they are all far more relevent to the tracking and mixing stages than the mastering stage, which is what we are supposedly discussing. Mastering requires a completely different set of skills and equipment, which is exactly why I do tracking and mixing and don't pretend to be able to do mastering.
 
re: mastering steps?


A couple of these are excellent points (like "don't be afraid to mess up"). The rest are either ambiguous or I'm not sure I understand your meaning. But, unfortunately, they are all far more relevent to the tracking and mixing stages than the mastering stage, which is what we are supposedly discussing. Mastering requires a completely different set of skills and equipment, which is exactly why I do tracking and mixing and don't pretend to be able to do mastering.

OK ... I understand. But, I do expect the list to be a bit general though ... hmm, so is there anyone out there willing to add to the missing mastering steps? I mean what are the basic stages of mastering for instance? And from that, what are the "look out for this" and "remember to do that" items?

If anyone does add to the list, please assume that I have access to the "equipment" to do the mastering. I don't want to get slighted because I may have a crappy Radio Shack mic or cheap compressor. (I know I know ... a mic has nothing to do with mastering but Blue Bear said ...) :)

Oh, and stonepiano? Since you don't like the word 'peace' I've got a new pseudo-siggy for you ...

W A R

;););)
 
TommyGun,
with all due respect, the questions you are asking have been addressed by this forum many a time.
Rather then going into another lengthy typing excersize, why don't you use your search function?
 
Tommy,

Part of the problem of making a "how to master in 12 easy steps" list, is it is not readily boiled down to that kind of format.

Let's take an example of just one part of the mastering process: adjusting the mix so it translates well to the majority of systems that it will be played on in the real world. (This would include home stereos, car stereos, boom boxes, walkman's, radio broadcasts with their additional compression... and for some projects would also include movie theatres, television sets, etc.)

Now, the way that a pro mastering engineer would do it would be to play the mix through incredibly expensive power amps and speakers in an acoustically amazing room. Then, using ears that have been highly trained by years of experience, the engineer knows almost instinctively and immediately how to apply compression, eq, and other processing to maximize the translatability of the mix to other systems.

So, would it be real useful to boil down this one aspect of the process into simple steps like:

1) Buy incredible speakers and power amps
2) Hire an acoustic consultant and create a near-perfect listening environment.
3) Start training your ears for the next 10 years...

If someone like Blue Bear told you that, you'd probably get pissed and think they were being condescending or sarcastic. But in a way, they would be giving you the most accurate answer to your specific question.

Now, that doesn't mean there is "no hope" of having some partial measure of success mastering at home. Using our example, the way you would have to test translatability is to keep taking your mixes and remixes into a bunch of different rooms and settings and keep playing them on different equipment, taking careful notes about how the different elements of the mix (like bass management, amount of reverb, smoothness of the high end, punchiness, extraneous noise and distortion, etc.) come across. Ideally, you'd also want to try and hear how it sounds broadcast on an FM radio station through their Aphex Dominators and Compellors (Good luck!). Then you go home and remix and start all over again. Eventually, through trial and error, you may end up with a decent finished product. But as you can see, it's not exactly a trivial endeavor.

Of course, this is only discussing one aspect of mastering, albeit one of the harder ones. Some other aspects may be easier, others just as hard.

Hope this helps clarify the discussion.
 
*sigh*

sjoko2 said:
TommyGun,
with all due respect, the questions you are asking have been addressed by this forum many a time.
Rather then going into another lengthy typing excersize, why don't you use your search function?

Because we are new here and conversation is the spice of life!Maybe since those old posts someone had a really cool idea or found out something new and now wants to share.
Why not engage in the discussion sjoko, or is this how you act when you have nothing to say? why dont you try the get lost function, because if you have nothing nice to say, please keep your mouth shut.

Bear, that was a nice song, more importantly it was crystal clear and "pro" quality, but you already knew that. I think my problem is that our music lacks the real element of micing and so on. How would someone handle a project that was done straight to board?
 
littledog, I have hope then!

The difference between the way you've written it and the way Blue Bear has written it is miles apart. Ya see, you didn't rag my gear or use explicatives. :D Ya just said (translated of course) "hey, if ya want to master a universal record, you've got a lot a work ahead of you. Good luck!" You're still basically telling me that I have no chance in hell of mastering something like a pro, but that's where you lose me. Thankfully I was taught to never take 'no' for an answer.

I'm not looking to master my music like a pro. I'm just trying to get it close enough to what I want it to be so that if I ever do get to put it in front of the right people, they are going to say "damn that sounds great" and help me get it the "universal record" you speak of. ;)

Ever heard of David Gray? This may be hearsay but I heard he recorded most of "white ladder" in his home/apartment. Now unless he was trust fund baby and could afford all the gear you speak of, I wonder how he actually got that album to sound that good? My bet is on what I'm trying to do ...

As for the sarcastic and condascending descriptions of this process do you honestly think Blue Bear's response to my initial mastering engineer remarks were appropriate??? :eek: My post was heated, but only because after 20 some-odd posts nothing useful was really said yet.

Back your explanation. The bottom line, it isn't going to deter me from trying to do just what you've suggested. I never said it would be easy to do. One post I suggested that as a counter to my point but I know how tough it can be. Making music is hard enough but taking it to its final sonic fruition is a whole other game ... that I am glad to jump right into.

Not to worry littledog, et all. This whole discussion from my point of view may be moot now that Sigma9 has been learning so much on his own. Thankfully I may be able to let him master all the music I do, solo or with him. I am still very interested in this process so please keep it coming if you have something to contribute.

Here's a little teaser for ya. Soon enough you will get to rip apart those mastering endeavors. The music will be released under a new band name (obviously unsigned) and website we've put together. We will post a link to the new site once it's launched.

:p Oh Boy, I can't wait. :p
 
Exactly why I have got nothing to say
Why should I type and contribute to benefit a moron with attitude problems?
 
my $.02 worth

I haven't read -all- the posts in this thread so forgive me if I repeat something someone else has said here...

As someone who's also learning the "crash course" on his own, there's a couple of things that I've learned here as well. The reason that -I- reference my own material when I'm mixing is; I seem to be rather prone to the dreaded disease "tinkeritis". I have this tendancy to tweak things till my face turns blue....so to speak. I also tend to do the same thing with graphics, so it just must be something about my personality I guess. I just never seem to be content...it always seems to need -something- else....my wife/partner says I'm just a freakin perfectionist!

I also reference other recordings myself to make sure I'm going in the right direction of the sound I want. I too have been listening to music for 1/4 of a century, but I find that as I work on my own music for long periods of time, I tend to loose my reference. I have been frequently told to use Steely Dan's "Aja" as a point of reference, and it truely is a superbly recorded piece, but this is not the sound that I feel fits my/our music. I tend to like that ealier 70's "classic rock sound" myself, ala Heart, Pink Floyd, Led Zepplin, etc., and thats more what I shoot for when I'm recording. But if I don't frequently reference this stuff, I tend to find that my "alingment" with what I had in mind tends to go way out of whack and I end up with something totally different and often undesireable. Don't be so over confident...it will be your own undoing. We're all human with our own taistes, but we all also make mistakes, or bury ourselves in what -we- think is the "right" way.

I'm learning the mastering process as well...it is an art form in and of itself totally seperate from the mixing process. I also just don't have the $ to have this -profesionally- done and I feel you there...big time! But the one other big thing I've learned is this....have someone else work with you on it. Even if they no nothing beyond simly being a music lover! As I'm doing my final mixing and getting into the mastering process of this project I'm working on, I frequently try to bring in as many opinions as I can...friends, relatives, other musicians, people on the internet etc.. Since I don't have access to the "big toys", my alternative is to get my stuff played on as many different speakers and systems by as many people as I can...it makes an incredible world of difference! I get things set in my own control room and I -think- it sound just superior, I play it on someone's computer and it sounds just great, but then I'll hear it in a car or something and see that there's -major- problems that I missed. It seems to me...and since I'm a newbie to allot of this I could be very wrong....but what the mastering process seems to be all about, aside from issues like eq, levels, and such, is having your music sound good no matter -where- its played with minimum adjustments of things like bass and treble. It seems to me that it should sound just as good on a little AM transistor radio as it does in a multi-$ setup...and of course thats where the trick and art comes into play.....

now if I could only figure out how to do this myself!
Jim Walczak
 
Lomitus - thanks for the honest response. I too am a perfectionist and sit with Sigma9 alot, reviewing mixes and masters of our stuff. Just this week in fact. I think it's helpful for both of us as it keeps us honest to the music. Between this forum and practice, I thinking we're getting better. We've learned a lot in the past few weeks. Anyway, thanks for taking the time to post your experiences in both mixing and mastering.

As for you sjoko2, I took your advice and used the Search function ... but for your name instead of "mastering". Wow. You've posted a lot here. What struck me from the bunch I read so far was that you really have nothing to say most of the time unless it's to other people who have mentioned approaches or equipment of your caliber. The rest you tend to rag on people or their comments.

I wish you would have just seen through my naive newbie comments and posted something useful for me. Calling me a moron because I have less knowledge than you seems counter-intuitive to me. Wouldn't you rather be perceived as helpful than crass and rude? I don't know, a teacher of sorts. I guess not in my case. I'll just have to read the other threads you're currently posting in to gain knowledge from you that way.

Heh, not everyone is as cool as you. Hell, I'm surely not because you said so. Rock on sjoko2. I'll be better next time. I promise.

*sigh *
 
TommyGun said:
As for you sjoko2, I took your advice and used the Search function ... but for your name instead of "mastering". Wow. You've posted a lot here. What struck me from the bunch I read so far was that you really have nothing to say most of the time unless it's to other people who have mentioned approaches or equipment of your caliber. The rest you tend to rag on people or their comments.

First, I never told you to look for my name, I simply said use the search function, which brings up a lot of stuff on mastering, and a lot of good valid stuff at that.
Second, the only people I'll rag on are people like yourself - morons.
 
Re: littledog, I have hope then!

TommyGun said:
Ya just said (translated of course) "hey, if ya want to master a universal record, you've got a lot a work ahead of you. Good luck!" You're still basically telling me that I have no chance in hell of mastering something like a pro, but that's where you lose me. Thankfully I was taught to never take 'no' for an answer.

Back your explanation. The bottom line, it isn't going to deter me from trying to do just what you've suggested. I never said it would be easy to do. One post I suggested that as a counter to my point but I know how tough it can be. Making music is hard enough but taking it to its final sonic fruition is a whole other game ... that I am glad to jump right into.


Actually, what I described for you is a pretty accurate account of what you will have to do to have any chance of getting a mix that sounds mastered, focusing just on ONE of many functions that a mastering engineer would do.

My argument is not at all that you CAN'T do it. For instance, maybe you know someone at a radio station that can slip your music onto the air so you can hear how it sounds through broadcast compressors. And maybe you can do all the other things I suggested as well. That was not my point.

What I was trying to illustrate is that MOST of us place a certain value on our own time and energy. If you are a musician, for instance, maybe the most fruitful way of spending your time and energy is in making music. Or doing whatever it is you do well. The bottom line is, if you can get your CD mastered for $600 by a professional, with an excellent chance of superior results, at what point in terms of your expenditure of time and energy does the $600 become worth it? Only you can answer that one.

Everyone admires the renaissance/do-it-yourself/do-it-all mentality to some extent. But in modern society even the most hard core independents still are not truly self-sufficient.

Are you going to buy your own CD duplication machines? Do your own shrink wrap? Build a polymer laboratory to manufacture your own plastic jewel cases? Design and build your own microphones? Etch your own silicon chips? Use only instruments you carve yourself? If someone were to suggest that they could do all that themselves, the question in most people's minds wouldn't necessarily be "How could you do all that?" but "WHY would anyone want to???"

In this age of specialization it's much easier AND more cost effective to let certain specialists do what they do, because your energies are better spent elsewhere.

But just because I've decided I have better ways to spend my time, doesn't mean everyone will agree. That's cool, so if you've got nothing else to do, then by all means, go mine and smelt some copper and steel, vulcanize some rubber, cut down trees, build everything from scratch, and, of course, master your own recordings. Just don't expect success on the first few attempts.

There's no one here who honestly doesn't wish you the best of luck in your endeavors. One last piece of advice: if you ever need surgery, that might be one situation when you really should overcome your pride in total self-reliance and consult an expert.;)
 
What the DIY'ers refuse to acknowledge is the significant benefit there is to having objective, trained ears listen to your mixes and shape them based on experience and objectivity.

I don't care if the DIY'er has a better mastering setup than Bob Ludwig, if you mixed it, you SHOULDN'T master it -- being too close to your own project, you simply aren't objective enough to catch the problems...

There's no way around this....... you can't train yourself to be objective in a case like this.........!

(All this assuming the project is critical enough for release - for stuff you're just going to play for family or friends it doesn't really matter whether you or the family dog masters it.......)
 
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LOL @ littledog

Hey man! LMAO!

I think you really got it right there... You just have to decide... For me, the decision is quite clear: I have a job I like, a family I love and for me this will be and stay a hobby, but I love learning a lot for it. So I'll keep on trying doing the mastering myself.

If I had real plans to become a superstar, I'd surely not use my VS and my 5000$ gear to get everything done, but mortgage my house to go into a big studio... Thanks god I'm not in that mood :D

The thing for me is: for 600$, I can get some REALLY nice stuff; we're doing about 6-10 songs per year and the mastering would be QUITE expensive then (just considering we don'T even SELL our cds...) I think there's also some guys around here who will act similar like me... So I'll probably never reach the level of quality like BlueBear, but that'S ok for me...

aXel
 
TommyGun said:

As for you sjoko2, I took your advice and used the Search function ... but for your name instead of "mastering". Wow. You've posted a lot here. What struck me from the bunch I read so far was that you really have nothing to say most of the time unless it's to other people who have mentioned approaches or equipment of your caliber. The rest you tend to rag on people or their comments.

I wish you would have just seen through my naive newbie comments and posted something useful for me. Calling me a moron because I have less knowledge than you seems counter-intuitive to me. Wouldn't you rather be perceived as helpful than crass and rude? I don't know, a teacher of sorts. I guess not in my case. I'll just have to read the other threads you're currently posting in to gain knowledge from you that way.

Heh, not everyone is as cool as you. Hell, I'm surely not because you said so. Rock on sjoko2. I'll be better next time. I promise.

*sigh *

First of all, just because someone used the term moron, Tommy, doesn't mean he was talking to you. (Guilty conscience?:p ) In fact, Sigma told Sjoko to get lost and shut up, which was what engendered the "moron" comment.

But that's not important. I think, since a major component of this thread seems to be jumping on the demeanor of Blue Bear and Sjoko, that a little historical perspective might be in order.

First of all, certain guys like Sjoko and Blue Bear, just by their lengthy tenure and prolific contributions, have defined what homerec.com is, to some extent. This is their house, and while technically any Newbie has just as much "right" to be here as they do, their historical contributions do give them certain vague benefits of seniority and respect. If for no other reason than Newbies come and go every week, but Bear and Sjoko are forever! (Now there's a frightening thought!)

I'm sorry if you concluded, through brief searches, that they contribute nothing useful. Believe me when I tell you that is not the case - each has contributed mightily on many interesting issues, and I have learned a lot from both.

But with long-term tenure comes disadvantages as well. The fact is, very often, the same issue has already been discussed to death a multitude of times in the past. Sometimes even just a few days ago. If you are around here long enough, how many times can you continue to type the same answers over and over again to "what is the best microphone under $200?" before you go nuts. Now, I've only been here six months, so I've only typed these same answers a dozen or so times, but give me another year or two and I'll be telling you to use the search function too.

The point is, it's good advice anyway. Sometimes some really excellent conversation can be found (by searching) on exactly the subject at hand - and there's no guarantee that the quality of advice will be reproduced every time a subject resurfaces. So by NOT searching you may be really missing out.

But getting back to the subject, you'll see a lot of people asking "loaded" questions, or phrasing things in a way that implies a certain disrespect. Then they're the first to cry "foul" if somebody steps on their toes.

For instance, there is a recent thread about piano tuning. Inevitably when the subject comes up, soemone will raise the issue of "why can't anyone tune their own piano?" Usually that gets a spirited response, but the tone of the response is often set by the tone of the questioner. Can you see how there would be a big difference between: "Can someone explain why it is considered impractical for an untrained person to tune a piano?" and "Why the hell should anyone spend money on a piano tuning when they could just do it themselves. How hard can it be?"


In the same vein, there's been a long history of people coming on and posting about how Mastering Engineers are over-rated, overpaid, secretive schemers who intentionally try and keep the rest of us in the dark about what they do so they can continue to steal our money. Now they may not say so in such crude and blatant terms, but a lot of times that is the implication. So for some of us who have been here a long time and seen it again and again, Sigma's initial post smacked of more of the same. Whether that was his intention or not, go back and reread it in that frame of reference and you'll see what i mean. And those of us who are professionals can't help but get a little bugged when it seems like other professionals are getting disrespected, be it piano technicians or mastering engineers. I'm a professional pianist/keyboard player (as well as a recording engineer), and i gotta admit I would be a little annoyed reading a post that said: "How hard can it be to play piano anyway? All the notes are right there in front of you, you don't have to develop an embouchure, and the notes have fixed intonation so you don't even need ears! So why would anyone want to use a pro on their session?" :rolleyes:

The other fact to note is that some members here actually have lengthy real life resumés and expertise. A lot of them have done stuff and acquired credentials you and I only dream about. As recognized resources of information, when people like Harvey, Knightfly, Pipeline, Barefoot, etc. post something, their opinions have to be considered with a little more weight and respect. That's not to say you can't disagree or debate them, but just that you don't want to do it in the context that you think they are stupid buffoons without a clue. (Although in Knightfly's case... hey, JUST KIDDING, STEVE!!!)

But, to summarize, the fact of life is that this board is a virtual community and as such has members who, with time, acquire a certain status. Sjoko and Blue Bear have been here long before you and i showed up, and probably will be here long after we split. As you develop bonds with this community you'll find it a useful place to relax and socialize - not everything is just about technical writing. While you may find "Gimme a fucking break" to be offensive, those that have been here a while know that that's just Blue Bear's mantra... Hell, for him, that's almost affectionate! And if he didn't say it every so often we'd start to suspect that someone else hijacked his i.d.

So, I'm sorry if your initial experiences with this forum have been in any way unpleasant. This can be a great place to learn a lot and have fun. But you'll have a LOT more fun and learn a lot more if you lighten up a little and don't feel like you have to defend your manhood everytime some senior member tells you something in a tone you don't like. In their defense, they've heard everything you're asking a hundred times before. Just remember, chances are you're NOT the first to post any particular idea, and even more to the point, chances are someone else has already said it in a more intelligent and wittier fashion.

I got my ass handed to me by Heylow on one of my very first posts here. But once you've been around a while two things happen: you begin to understand the unique flavor of the homerec bulletin board (unmoderated, by the way... we do all our own "policing"... which i believe is unique on a board of this type) and as people get to know you, you will earn their respect and friendship.

But I understand how it's a little rough and tumble in here at times, and not everybody can flourish under that kind of atmosphere. Don't worry, there's dozens of other "more civilized" (some would say "more boring") boards devoted to audio issues where you can hang out instead. Homerec can sometimes be an acquired taste!
 
such wonderful arrogance...

After reading some of these reply's, I just felt I had to add another $.02 worth here...

TommyGun...your quite welcome. I too as a "newbie" have so much to learn, but because I wasn't -born- with this knowledge already pre-programmed into the old noodle, I don't believe that I should avoid trying to learn new things altogether...as it would seem others in this forum do. I didn't have -anyone- to show me how to do this stuff...I've had to learn everything throught the use of books, internet resources, trial and error, etc., and I'm greatful for the oportunity to share what I have learned with others....if there's anything I can help you with -please- feel free to ask and I will do my very best to help.

As for the issue of sending out to people who specialize...I think this is always a great idea. I would love to get second opinions from people more experienced then I...hence why I post to this and other forums as well as hang out in chat channels on these subjects. I also, as a musician, try whenever I can to play or jam with people of superiour abilities to myself...for me this is the best way to learn. With that said...it's not always a matter of pride to -do it yourself-. Often times, as in my case, its a matter of nessecisity. I simply can't afford to have someone else do it for me...-especially- at $600 (or more) a pop! Does this mean I shouldn't even bother? I -want- to learn this stuff, but since I wasn't born with this knowledge already in my brain, should I just become an accountant instead? I would love to go to school for recording...its not going to happen anytime in the near future, so should I just "give up"? If people have their desire to learn taken way from them and their ambitions totally crushed, the world would be a very boring place indeed! As long as you realized that your probably going to make mistakes as you learn...and as long as you learn from those mistakes, then by all means have fun learning! Just for the record, although I own currently around 17 guitars, I -have- made my own guitar...no I didn't cut the tree down, but I purchased the raw wood...cut it myself etc.. yes...I made -numerous- mistakes...botched the finish big time...but I learned and I had fun doing it!!!! Incidently its also a great sounding guitar! No...I wouldn't perform surgoury on myself...but when the roof on my house caved in, my wife and I just could not afford a "profesional contractor"...what should I have done...just let the roof leak? No...I got out some books...bought some tools...watched some instructional video's and my wife and I did it ourselves! The roof no longer leaks and it looks just great! Yes...we made some mistakes...I had gotten the eve's on and realized that they were bowed...took the better part of a day to pull everything back down and reposition...it was a learning experience.

As a -guitar- player, I've been told that I should -not- even bother playing drums.....why I ask??? I enjoy playing the drums! I'm actually pretty good at it too. In fact with our old drummer...a truly superiour musician in all respects... we were unable to get tight and get gigs...I took over as drummer and we had a gig within 2 months and played steady gigs for close to 2 years before I was in a car accident and could no longer play for a while. Because I'm a musician, does this mean I -shouldn't- bother even trying to learn to record? Bah! I'm -LEARNING- and having the time of my life doing so! Yes...I make mistakes.....-LOTS- of them. I learn from my mistakes...I'll hear something I screwed up and know not to do that the same way next time. From some of these posts I have to wonder how many people have just fogotten what it was like when they were learning? I know not all of you were born with all of this knowledge already pre-programmed into your brains. I started playing guitar over 20 years ago, but when I started playing drums 2 years ago, all the fun AND frustration came right back to me! I was able to remember how frustrating it was when I was learning guitar...all the hours I spent just trying to learn one riff or one scale. It was like some strange deja-vu...it was just incredible...I felt like a kid again! I'm still after 20 years, always learning new things on the guitar...after 2 years of gigging as a drummer I'm still learning....after 1 year as a studio engineer....I'M STILL LEARNING! This -IS- the human experience! To the person who thinks they know everything...or at least try's to portray as much I have to say..."what is the point of your life?"

I have done many things in my 37 years of life...I have climbed the great pyramid at Chichen Itza, I have stood at the foot of a WWII bunker at the foot of a volcano, I have raced cars (adn repaired them), I do wood working, I fix things, I play music, I record music, I love animals, I enjoy horse back riding, I work on and build computers, I have worked in many profesions from sales to manufacturing, I -am- a great cook, I paint and draw....does this all mean I should just give up now? With all of this, there are just sooooooooooo many other things that I would love to do and learn in life! Life is short...learn and experience all you can....enjoy what you do to the fullest extent! And please don't critisize others for trying to learn! If you do in fact have superiour knowledge and abilites.....SHARE! I consider my life to be truly blessed to have been able to experience and do so many things in my life, and I am also greatful for the oportunity to share these expereinces with others. And I plan to continue learning and experienceing things in my life for as long as I can....I think it's called living!

This leads me to my last and final rant here....SJOKO2. Didn't your mommy ever tell you "if you can't say something nice don't say anything at all"??? It must be a truely great burden for you to be so "God" like and to know -everything- about recording that you can look down so easily on those with less knowledge then yourself and call them moron's. It also must be such a blessing for you to have been born with all the wisdom of the recording industry just built right into your brain...not all of us have this luxery. Since people like yourself find it easier to critisize others instead of sharing your omnipitant wizdom, we are left with no choice but to read what we can and learn...and make mistakes. There is nothing wrong with a person that want to read and learn all they can about say something like Nascar racing...if they have the resources to build themselves a car...and if they take the time to learn correctly, with out the arrogance of someone like yourself, and maybe start out doing 50 miles an hour instead of 150 (we all learn at different speeds!), that anyone can achieve anything if they take the time and have the desire to learn! I have no doubt that there are things that I can do...be it auto repair, camping, cooking.....something that you simply do not know how to do...yet far be it for me to call a person of lesser experience such as yourself a -moron- if you were to decide to learn these things! Instead of considering you to be insignifigant as you seem to consider others, I would attempt to teach and educate you as apposed to just be insulting due to your lack of expereince....maybe this is the lesson that -you- should learn.

I am truly sorry if I have offened anyone with this post...this is something...like music, that I feel deeply pastionate about. -Everyone- should have to opportunity to learn and persue their goals and desires. Those of us with superiour knowledge in some area of our lives should try and educate and share our expereinces and knowledge and until this great world we live in gets away from concepts such as -money- and having to -pay for knowledge- then we should try and do our best to help those of similar interests to do the best that they can and maybe make all our lives a little better for it!

End Rant....
Jim Walczak
 
Re: such wonderful arrogance...

Lomitus said:
This leads me to my last and final rant here....SJOKO2. Didn't your mommy ever tell you "if you can't say something nice don't say anything at all

Ever considered that I really do not have to post anything here at all?

Ever considered that I, and many others, have responded to the questions raised in detail over the past years and that might be why I recommend people use their search function?

Ever considered that, if anyone takes advise to use the search function as some sort of insult, they are morons?

Ever considered that I don't give a rat's ass if you think I'm nice or not?

Ever considered that, if you don't like my mianderings... you have the option of not reading them??

Ever considered I'm having fun typing this?

:cool: :D :rolleyes: ;)
 
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