Me, it's the first thing I go for on kick mic. Depending on placement, either straight on or pointing at the edge, or some mix in between, I get anything from pure BOOM to full-bodied THUMP, working well with many different drumming and music styles. Generally, this mic sounds very BIG... but it also captures a lot of mids and upper frequencies, so you might need to play around with EQ. Like other CAD mics, this thing has really extended low frequency response, and I really can feel the difference on this mic. I'm not too fond of the ATM25...doesn't feel as big to me, not enough low end, but this may work in other situations. Honestly don't have the others, though I do like the Beta 52 generally speaking...
My first experience with the E-100 was actually...as a stereo pair, micing a high school boys choir. This is a pretty versatile mic.