X
xstatic
New member
I have a box of 25 of those mic stands that my boss thought he was getting a good deal on. He regrets it now. At least 5 of them are virtually unusable, and 15 of them all have problems with various junction points. They have been used on about 20 shows. On the other hand, I have 50 AKG and K&M stands that have been on hundreds of shows and there are probably 5 of them that aren't fully functional. Several of them are even bent (bands like GWAR, Motorhead, Nashville Pussy, And They Will Know us by the Trail of the Dead etc...), but still actually work. The other thing is that most damage to a good stand is reparable. You may still want to buy the cheapies, but in the long run you may save time, money, and stress just getting the right stuff from the get go.
As far as putting an sm57 on a $100 stand? Why not? sm57's cost at least $75 brand new. If a $16 stand falls over and busts a $75 sm57, then I am out $91, and 1 sm 57 and 1 stand. The $100 stand doesn't look like such a bad option then
As far as putting an sm57 on a $100 stand? Why not? sm57's cost at least $75 brand new. If a $16 stand falls over and busts a $75 sm57, then I am out $91, and 1 sm 57 and 1 stand. The $100 stand doesn't look like such a bad option then
