Well, here's the update. The RCA pair they're hanging onto for a while. I think they'll eventually go at auction. When all is said and done, I get the weird leftover mics, mostly a bunch of bad mics, specialized mics, and white elephant mics. But also, one icon. Yeah, there's a Tascam electret with an omni capsule, a bad old Aiwa crystal mic mocked up to look like an RCA ribbon. I don't think that's worth the weird cabling to plug it in. There's a few fair cheap dynamics, including an EV N/T 257, a state of the art Shure lapel mic with all the accessories (more weird cabling), and... an apparently well cared for Shure Unidyne 55C circa 1947-49(the icon). The all purpose mic of kings, presidents, dictators, and crooners. Hell, I can do a google search on the puppy and get more history than prices.
So, before I start singing "Happy Birthday Mr. President", can anybody tell me-
What is its approximate market value assuming it sounds good?
What the hell kind of cable do I need to hook it up, and where can I buy one?
Given that the mic is rated for 100,000 ohms (there were three versions, from low to high impedence), what input should I use for this puppy? My Avalon is variable from 50 to 600 nominal ohms, or should I be plugging this thing into a high-z instrument input? Line in?
Other than vocals, what would you use the thing for? What's a reasonable safe SPL level? This is where I really need advice from old mic guys.
Well one thing's for sure, the Shure *will* get hooked up. Remember Douglas A. Macarthur's stirring speech before D-Day? The Shure was there. They built a multiple impedence version for a year or two, then the smaller one that became the "Elvis" mic.
This is definitely one honkin' heavy duty enclosure. Gives you the solid steel vibe. If anybody knows the answers to any of the above questions, thanks in advance.-Richie